文档介绍：西南林业大学
美学概论论文
(2010级)
题目: 黄与蓝的交响——浅谈中西方美学
教学院系园林学院专业艺术设计(城市环境)
学生姓名王庆功
指导教师季熊
评阅人季熊
2010 年 12月
黄与蓝的交响
————浅谈中西方美学
王庆功
(西南林业大学园林学院云南昆明 650224)
摘要
公元前6—前5世纪,在辽阔的欧亚大陆遥相对应的东西两端,在阡陌纵横的黄河流域和波光帆影的地中海沿岸,同时有人类早期美学思想两朵灿烂的火花在生动地活跃。中国古代美学思想的开山祖师孔子(公元前551—前479)和西方美学传统的奠基者毕达哥拉斯(公元前580—前500),这两个几乎生活在同一纬度上的同时代人也许怎么也不会想到,他们所提出的美学观点将从两个不同的方向照亮人类美学思想的漫漫旅程,而只有当这两道光芒融为一体的时候,美的世界才会普照着理性的太阳。
但是,相传是女娲氏用黄土所造出来的东方人和自认为是从海水中衍生出来的西方人是何等的不同啊!仿佛命中注定要走上不同的美学道路一样,东西两方从一开始就站到了不同的起跑线上。东方礼仪之邦的美善同源思想铸造出中华民族重人情、重感受的温厚淡雅的鉴赏情趣,西方智术之乡的美智合一原则熏陶了希腊民族重理智、重思辨的高贵静穆的审美遗风。中西美学思想的这种差异早在它们的奠基人孔子和毕达哥拉斯之前就已经初见端倪了。据记载,春秋时期的伍举在对楚灵王的讽谏中就已提出:“夫美也者,上下,内外,大小,远近皆无害焉,故曰美”;而古希腊第一位哲学家泰勒斯已劝导人们:“去找出一件唯一智慧的东西吧,去选择一件唯一美好的东西吧!”中西美学思想可谓是源远而流长。
关键词:美学观点、中西美学
Abstract
BC 6 - before the 5th century, in the vast Eurasian continent, things should be relatively remote ends of the terraced rice paddies shimmering aspect of the Yellow River and sail the Mediterranean coast, while there are human beings Early Thoughts on two bright sparks in a vivid active . Blazed the trail for Chinese Ancient Aesthetics Confucius (551 BC - 479) and the founder of the Western aesthetic tradition of Pythagoras (580 BC - before 500), both living in the same latitude almost contemporaries may would not think of how they made the aesthetic point of view from two different directions illuminate the long journey of human aesthetics, but only when a light integration of the two, when the United States will shine with the rational world sun.
However, the legend of Nu Wa's out with the Asian loess and self-made, that is derived from seawater, the West is how different ah! Seems destined to go a different road aesthetics, like something from the outset, the two sides stand to a different starting line. Eastern ceremonies that is good thinking of casting out the Chinese re-homologous human, heavy feeling of good-natured appreciation of elegant taste, the hometown of the Western intellectual Yoshitomo operation principle of the influence of one