文档介绍：论计算机音乐文化
摘�要
本文欲立足于计算机科学技术与音乐艺术的交叉点来对计算机音乐文化进行全方位的
考察主要涵盖了追溯计算机音乐发展的历史源流从应用的角度来描述其形态以及从文化
层次上发掘其内涵等几方面内容
首先着重探讨了计算机音乐系统作为乐器工具与创作工具的意义以全新的角度来阐
述计算机音乐系统作为音乐实践的工具而给音乐艺术带来的从操作技术到审美理念上的一
系列变化在阐述其做为乐器工具的意义时始终把握对其历史源流的探讨过程中将技术与
文化的两条脉络整合起来的思路在阐述其做为创作工具的意义时首次立足于人机关系组
合模式的不同类型基点来揭示计算机音乐文化立美与审美的特点
本文的第二部分试图揭示计算机音乐系统第三个工具属性作为音响载体工具的意义
探讨了以计算机为载体的计算机音乐在音响呈现功能上的优缺点并从音乐的人文角度出
发针对其缺乏人性化的劣势提出了解决的建议与设想
本文第三部分则以探讨信息时代背景下的音乐文化为旨对数字化音乐生存方式从
创作传播欣赏以至版权观念等进行了全方位的阐述力图凸现新的音乐生存方式中理性
把握与人文观照最后笔者探讨了音乐的计算机网络化教育对基础音乐教育改革的必要
性进行阐述并对音乐的计算机网络化教育之可行性做出了建议
1
The Culture puter Music
Abstract
This thesis wants to establish the junction of music art puter science technology, and
to explore its overall aspects, which covers the ascending of puter music’s development
and the describing of its configuration from the application prospect, and the disinterring of its
connotation from the cultural layer.
First, the thesis focuses on the significance puter music system acting as the tool of
musical instrument and the tool of creation, stands from the new viewpoint to discuss a series of
changes from operational technique to aesthetic theory to musical art brought puter music
system acting as the tool of music practice. As discussing its significance of acting as the tool of
musical instrument, the thesis from beginning to end wants to hold the integration of two threads,
that is, the technology and the culture, to run through the course of seeking; As discussing its
significance of acting as tool of creating, for the first time it bases on the bination
mode of human and puter to unveil puter music culture’s characteristic of creating
artistic beauty and enjoying artistic beauty.
In the second part of this thesis, the author attempts to unveil significance of the third tool
attribution puter music system, the attribution of sound recorder. In this part, the author
discusses these advantages and disadvantages when puter to puter mus