文档介绍：南京航空航天大学
硕士学位论文
论音乐剧的声乐演唱——古典风格
姓名:周闵
申请学位级别:硕士
专业:音乐学
指导教师:孙振华
20080101
南京航空航天大学硕士学位论文
摘要
歌剧这种成熟的艺术形式,经历了几个世纪的辉煌后,必然对音乐剧的演唱要产生
一定的影响,而这个影响不是没有道理的,美声唱法作为歌剧的演唱风格,通过几百年
的演化和发展,形成了一套科学的发声体系,其特点是:气息饱满悠长、歌唱轻松流畅、
声音圆润自然、吐字清晰纯正、声区统一无痕、追求连贯平滑以及始终完美统一的音色。
而这种唱法在音乐剧的演唱中占有相当重要的地位,美声唱法毕竟是歌剧时代的产物,
处在当今时代的音乐剧,在本质上和歌剧是有区别的,她追求的是更具现代感和亲切感
的声音,因此在对美声唱法采取了继承和发展之后,形成了具有音乐剧风格的音乐剧唱
法,即以美声唱法为基础,采用自然、放松、偏薄的混合胸声的方法,歌曲的特征是演
唱篇幅短小、情绪单纯,声乐技术不高,音域不宽,多在中声区,气息通畅,多以清晰
的吐字来表达细腻的情感。
近一百年来,歌剧越来越被当作“阳春白雪”高搁于艺术殿坛之上,有代表性的创
作作品凤毛麟角,真正能欣赏歌剧的观众也是非常少的,因为这类观众必须是建立在有
一定的歌剧常识和音乐涵养的基础上,她需要观众具备一定的审美条件,因此,她的观
众很大一部份是我们所谓的“圈内人”。但同时,在从后工业化时代转变为资讯时代的
同时,电影、电视、网络对大众产生了深刻的影响力,它在很大程度上改变了大众的审
美需求,人们对娱乐的取向已经变的更加广泛,因此,音乐剧以其时尚、大众、流行等
现代特性,逐渐占据了歌剧的市场份额成为现代音乐戏剧的主流。

关键词: 音乐剧,古典风格,美声唱法,流行唱法,多元化

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论音乐剧的声乐演唱----古典风格
ABSTRACT
Opera, as a mature artistic genre, has experienced centuries of prosperity, and has
inevitably left some influences upon the singing of musicals. These influences speak properly
for themselves since Bel canto as an operatic style has developed a set of scientific sounding
mechanism after hundreds years of evolution and growth. Its features include meandering
breath, relaxed smoothness, natural spontaneity, clear articulation, unified cohesion, and a
consistent harmony of sound quality. It plays a very significant role in musical performances.
However, Bel canto arose in the operatic era and causes the modern-day musicals to differ
essentially from the opera since it pursues more up-to-date and approachable sound. The
singing in musicals, inheriting and developing the Bel canto style, bases itself on bel canto,
adopting natural, relaxed and high-pitch-biased blended chest breath output with short time
consumption; lyrical in expresion and pure in emotion, it demands no great skill of vocality or
wide-ranging sound register since it mostly lies in mezzo area, smooth in breath and articulate
in singing.
In the recent