文档介绍：论文样本
本科毕业论文
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论文题目:
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完成日期:2005 年 6 月 6 日
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摘要
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关键词:德国;新表现主义;回归;创新
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Abstract
Currently, a lot of art work that lie in each big gallery are most of Installation and Multi-media work, and all kinds of behavior art usually perform outside of the big galleries. Someone has already put forward “the painting perished ”, thus, in the art fields, a discussion concerning “painting whether returns to the easel” es a hot issue in these several years, a lot of scholars all emphasize the importance that the painting returns to the easel, the author also agree that the painting returns to the easel is a trend of art developing, the New Expressionism painting adjusted to this trend, which returned to the easel, but this returning to the easel was not the simply repetition, and not simply imitation, but created the new times meaning and new times style, among them the New Expressionism in German was the most outstanding, it was full of racial features, presented the new content and new spirit feature in the foundation of the traditional Germany Expressionsm.
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目录
引言··························································································1
德国新表现主义的产生··············································2
与德国表现主义相比较,德国新表现主义的创新性体现在哪些方面····························································6
(一)政治历史性题材居多······················································7
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(二)创造能普遍解读的视觉形象···········································13
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全新的回归
——德国新表现主义的创新式回归
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引言
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目前,在中国学术界有关德国新表现主义的文章或书籍很少,而且多数为常识性的介绍……
一、德国新表现主义的产生
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如今的观念艺术已经走到这一步:……艺术评论家沃尔夫()一段生动的论述形象地向我们描述了这一时期的艺术状况:“到了这样一个艺术理论代替艺术客体的阶段,艺术进入了最后的航程,它在一个精细的螺旋里一步步上升着,它现在只剩下最后一个字格的自由,只剩下一个神经元的树状凸,最后便消失于它自己占有的微小的孔眼之中,终于变成了一种纯粹的艺术理论。”①杨声源、张弘星:《