文档介绍：论文样本
本科毕业论文
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论文题目:全新的回归——德国新表现主义的创新式回归
系别:美术史论
专业:美术史论
论文作者:张玲
指导教师:俞永康
完成日期:2005 年 6 月 6 日
鲁迅美术学院毕业论文任务书
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摘要
目前,充斥在当代各大美术馆中的艺术品多数是装置、多媒体作品,馆外又常常上演着各种各样的行为艺术,已经有人提出“绘画消亡论”一说,于是在学术界,关于“绘画是否向架上回归”的讨论成了这几年的热门话题,很多学者都强调绘画回归架上的重要性,笔者也认为,绘画向架上回归是艺术发展的趋势,新表现主义绘画便顺应了这个趋势,完成了向架上的回归,但它的回归不是简单的重复,更不是机械的模仿,而是创造出全新的内涵和崭新的时代风格, 其中做的最出色的是德国的新表现主义,它非常富有民族特色,在传统德国表现主义的基础上呈现出全新的内涵和精神面貌。
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关键词:德国;新表现主义;回归;创新
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Abstract
Currently, a lot of art work that lie in each big gallery are most of Installation and Multi-media work, and all kinds of behavior art usually perform outside of the big galleries. Someone has already put forward “the painting perished ”, thus, in the art fields, a discussion concerning “painting whether returns to the easel” es a hot issue in these several years, a lot of scholars all emphasize the importance that the painting returns to the easel, the author also agree that the painting returns to the easel is a trend of art developing, the New Expressionism painting adjusted to this trend, which returned to the easel, but this returning to the easel was not the simply repetition, and not simply imitation, but created the new times meaning and new times style, among them the New Expressionism in German was the most outstanding, it was full of racial features, presented the new content and new spirit feature in the foundation of the traditional Germany Expressionsm.
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Key words: German;The New Expressionism;Returning;Creation
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目录
引言·························································································· 1
德国新表现主义的产生·················································· 2
与德国表现主义相比较,德国新表现主义的创新性体现在哪些方面···························