文档介绍：浅析工笔人物画构图形式美
论文题目:浅析工笔人物画构图形式美
专业:美术学
硕士生:李丛
指导教师:姬国强

摘要
工笔人物画中构图形式会影响到画面意境的传达。一幅作品中对构图形式
的经营,也就影响到画面的优劣。
通过分析各时期工笔人物画构图形式,引导对构图形式美法则的探究。根
据相关工笔人物画构图形式理论的分析和部分图片的解读,论述工笔人物画构
图形式美的法则及其意义。
本文将构图根据在画面表层呈现图示,由表及里细分为“边”、“位”、“场”、
“势”、“美”五部分。侧重于从古至今对形式美法则的分析和总结,有取舍的
学习传统,结合当代多元文化的时代因素,探索钻研新的符合当代人审美,同
时具备时代风格的构图形式美。提出当代工笔人物画创作既要学习传统的精
华,又不能照搬传统;既要符合独特的时代审美风格,也不能只追求个性。而
应区分多元文化中的好坏,明确工笔人物画的发展方向,准确把握时代审美风
格,不盲目跟风,推进工笔人物画稳步向前发展。

关键词:工笔人物画构图形式美
研究类型:理论研究

I
浅析工笔人物画构图形式美
Subject: Analysis of the theory about position form in
fine brushwork figure
Specialty: Fine Arts
Name:Li Cong
Instructor: Ji Guo Qiang
Abstract
position form in fine brushwork figure painting directly
affect the artistic conception, and what first catches the eye of an
appreciator when he is enjoying the picture is position form of
the painting. How to deal with position form of a work greatly
influence the work itself.
Through the analysis of position form in fine brushwork
figure painting in different periods, the rules for formal beauty are
explored in this thesis. The rules and significance of formal beauty in
fine brushwork figure painting are discussed, according to analysis of
the theory about position form in fine brushwork figure painting
and interpretation of some pictures.
This paper presents diagrams based on position from the
surface layer of the picture, and five parts -“brim”“position”“field”
“potential”“beauty”--are subdivided from the outside to the inside.
Focusing on analysis and summary of aesthetic principles throughout
the history, we should adopt and discard the traditional views with a
critical eye, combining with the multicultural feature in contemporary
time. The new aesthetics corresponding with contemporary people and
formal beauty position with times characteristic are explored.
The creation of the contemporary figure painting not only needs to
study the essence of t