文档介绍：晚明文人画家李流芳扇面绘画鉴定研究
中文摘要
本文以李流芳扇面绘画为主要讨论对象,试图通过分析其绘画风格特点,进
行真伪鉴定。
李流芳流传作品约 200 件,扇面作品 60 余件,且多有上款人,这是一个特
别的现象。大量的扇面绘画,扇面的特殊形制以及李氏作品中的众多上款人是
本文研究的兴趣所在。本文以李流芳扇面绘画为研究对象,通过与宋元诸家米
家、黄公望、吴镇、倪瓒风格的纵向比较,对李氏绘画产生重要影响的程嘉燧
以及画中九友中其他七位画家的横向比较,确立李流芳区别于他人的独特的绘
画风格特点以及在山水体系中所处的位置。然后根据其绘画风格特点,分析目
前拍卖场所见李氏作品作伪的状况,主要有假托李氏之名的伪作;以及似李氏
仿古作品面貌,但经仔细分析漏洞百出的伪作两大类。最后讨论李氏的交游与
受画人等问题。李氏交游甚广,现在流传扇面中有许多上款人不可考便是例证。
李氏扇面绘画有粗细之分,对不同的受画人,所绘题材及用笔不同。李氏晚年
常在西湖,“无人不识”,皆持“素册”索画,扇面绘画多是赠送给“索画者”
的应酬之作。李氏被繁忙的酬应所累,遂逐渐简化出区别于仿古、写生,具自
家风貌的“李式”扇面绘画,即远山、近树、茅亭、作远眺状的点景人物,用
笔及其简单、率真。
关键词:仿古李式山水真伪交游受画人
晚明文人画家李流芳扇面绘画鉴定研究
Abstract
This thesis is intended to Li Liufang’s fan paintings as the main subject for
discussion, and tries to analyze the characteristics of the painting style,
conduct the authenticity of identification.
Li Liufang spread of about 200 works, fan works is over 60 and more than the
preceding paragraph of people, which is a special phenomenon. A lot of fan
paintings, the special shape of the fan, as well as Lee 's works in a number of
the preceding paragraph is of interest to this study. Cheng Jiasui In this paper,
Li Liufang fan paintings as the research object, and the Song and Yuan
dynasty Mi, Huang Gongwang, Wu Zhen, Ni Zan style vertical, Lee's
paintings have a major impact as well as in the other seven of the nine
Friends of the painting parison of the painter, established Li
Liufang different from the others a unique painting style is characterized by
the location in the landscape system. Lee's work, and b now in the
possession of the major museums to identify the authenticity. Then,
according to the characteristics of their painting style analysis to see the
situation of Lee's works fake auction place, mainly through the medium of Lee
pretending to be; and like Lee antique works of the face, but after careful
analysis of the flawed pseudo two categories. Finally, Lee's Friends and
painter. Lee's wide circle of
acqu