文档介绍：上海师范大学
硕士学位论文
用歌声塑造形象——以歌剧《茶花女》中的薇奥莱塔为例
姓名:叶秀玲
申请学位级别:硕士
专业:音乐学
指导教师:陶辛
20040401
用歌声塑造形象以歌剧茶花女中的薇奥莱塔为例

中文摘要

音乐表演是一项富有创造性的艺术活动音乐表演者首先应当以体现一度
创造的成果为基础以正确传达和再现作曲家的意图为基本原则同时作为
二度创造的表演者还要在作曲家的一度创作文本的基础上进行审美的再创造
每个表演者的艺术素养技术条件和美学追求等方面的不同会导致其音乐演
绎中的处理方式和微妙的情感表现方面的不同因而塑造出的音乐形象及产生
的审美效果也会有所不同
本文以意大利作曲家威尔第的茶花女中的女主人公薇奥莱塔的三个唱
段为一度创作文本通过对萨瑟兰(Sutherland) 卡拉丝(Callas) 乔治乌
(hiu )和史特拉塔丝(Stratas)四位歌唱家对这些唱段的不同技术处理和艺
术表现的分析来展示其所塑造的薇奥莱塔的形象上的差异并以此来揭示作
为二度创作的音乐表演在音乐实践活动中的重要地位及其相关的美学问题

关键词音乐表演艺术歌唱艺术二度创作威尔第, 茶花女

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用歌声塑造形象以歌剧茶花女中的薇奥莱塔为例

Abstract

Musical performance is a creative activity, first of all, the music performer should reflect the
creative achievements (compositions) as a basis, and transmit correctly and recur the purpose of the
composers as basic principle. Meanwhile, as a second creation performer, they should make aesthetic
re-creation based on the original creation. Different performers have different artistic plishment,
technological condition, aesthetic pursuit and so on, which will lead to the differences of music
performing handling means and subtle emotional representation, therefore, the created musical image
and the aesthetic impression are also different.
This paper regards the three arias sung by Violetta, who was the heroine of La Traviata, as its
creative text, which written by poser Verdi. Analyzing the different technological handling
and artistic expressions of the arias, made by Sutherland, Callas, hiu, Stratas, the author try to
show the differences of Violetta's images these singers created, and to reveal the relevant aesthetic
problems and the important status of recreated musical performance in the music practice activities

Keywords: musical performance art, singing art, recreation, Verdi, La Traviata

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用歌声塑造形象以歌剧茶花女中的薇奥莱塔为例

绪论

音乐实践包括创作表演和欣赏三个环节而音乐创作是其中的基础音乐创
作的具体手