文档介绍：课程大纲样本作者:张霭珠Gender/SexualityTheoriesandVisualArtsIcyI-ChuChang(张霭珠)Classroom:人社二馆R203CourseHours:1:30-4:30pmTuesdayExtension:52723Email:******@:9/13:IntroductionJohnBerger,“Reproduction,”“NudeorNaked?”inWaysofSeeingWeek2:9/20:VisualPleasureandMaleGazeReadings:LauraMulvey,“VisualandOtherPleasures,”inVisualandOtherPleasuresHoundmills,Basingstoke,Hampshire:Macmillan,,第五章“精神分析女性主义”,《女性主义理论与流派》,159-200,女书文化,1996。Film:VertigoWeek3:9/27:Psychoanalysis,Gender,andSexualityReadings:ElizabethGrosz,“SexualityandtheSymbolicOrder”inJacquesLacan:AFeministIntroductionLondon;NewYork:Routledge,,“走出‘唯一’,流向非一:从佛洛伊德到依蕊格来”,《中外文学》第24卷第11期,1997年4月。FrankOchieng,“TheHours”,lywood/Cinema/4069/reviews/guest/:TheHoursWeek4:10/4:JouissanceandtheMaternalSemioticsReadings:ElizabethGrosz,“LacanandFeminism”,-,“克丽丝特娃对母子关系中‘阴性’空间的看法”,《中外文学》第21卷第9期,1993年2月。萧嫣嫣,“论法国女性主义的文化空间”,《中外文学》第21卷第9期,1993年8月。刘黄毓秀,“肉身中的女性再现:钢琴师和她的情人”,《中外文学》第23卷第6期,1994年6月。第五章“后现代女性主义——克瑞丝缇娃:符号界与母性空间”,《女性主义理论与流派》,299-302;325-35。Film:ThePianoWeek5:10/11:ChoraandAbjectionJuliaKristeva,ThePowersofHorror,1-17,57-75Documentary:DearTari,VaginaMonologueSoloPerformance:EveEnsler,VaginaMonologueWeek6:10/18:FeministWritingandPolyphonicMimicryReadings:ElizabethGrosz,“LacanandFeminism”,-,“伊希迦黑与她的新文体:另一种(理论)书写/实践”,《中外文学》第24卷第11期,1997年4月。第五章“后现代女性主义——伊希加赫非一的女性言说”,《女性主义理论与流派》,312-325。LuceIrigaray,“ThePowerofDiscourseandSubordinationoftheFeminine,ThisSexWhichasNotNoe”,68-87,CornellUp,-Esposti,Christina,“SallyPotter’sOrlandoandtheNeo-BaroqueScopicRegime”,(Fall1996):75-93,:OrlandoWeek7:10/25:Eroticism,Excess,andObsceneBodyReadings:Cixous,Helene,“TheLaughofMedusa,”,C.“UnspeakablePractices,UnnaturalActs:TheTabooArtofKarenFinley”,inActingOut,,,“阴性表演,阳性反应:看凯伦芬利阴性身体书写与媒介爱滋”,《中外文学》第29卷第12期,2002年5月。SoloPerformance:KarenFinley,:11/1:Per