文档介绍：上饶师范学院美术与设计学院毕业论文题目:元代山水画的美学特征学生姓名:徐青专业:美术学班级:09美(1)指导教师:彭尊善二○一三年三月摘要元代将中国山水画推向了一个高峰,以元四家为表的山水画对后世的影响很大。近代,随着山水画的不断发展,山水画的美学特征也受到越来越多的人的重视,为了探索如何完善山水画的美学特征,为以后的研究提供方向。本文首先介绍了元代的时代特征,然后经过对比列证论证以文入画,以画释道的美学特征,接着论证人品与画品的关系,从侧面论证文人隐士重视其中自身的修养,伦理的美学特征;其次是倪瓒山水画表现出“逸”的美学特征,以及进一步经过举列法论证“逸笔草草与似与不似“的美学特征;最后论证是赵孟頫提出的“以书入画”“古意”的美学特征。中国的山水画不但表现是人文气息,更多的是表现其内在美学特征,这有助于我们树立一个正确的美学观,对作品会有更深层次的理解。关键词山水画;逸笔;以书入画;不求形式,古意AbstractTheChineselandscapepaintingintoapeak,,withthedevelopmentoflandscapepainting,haracteristicsoflandscapepaintinghasbeenpaidmoreandmoreattentiontohowtoimprovetheaestheticfeatures,explorethelandscapepainting,,parisonofargumentinthepicturesquecolumns,haracteristicsofTao,thenprovetherelationshipbetweenpersonalityandartisticquality,attentiontotheself-cultivationfromthesidethatliteratirecluse,haracteristicsofethics;secondistheNiZanlandscapepaintingshow"haracteristicsofYi",andfurtherbylistmethodargument"leisurelypenandthelikeanddonotlike"haracteristics;finallyarguesisputforwardbyZhaoMengtiao,"artbook""old",haracteristics,whichishelpfulforustoestablishacorrectaestheticview,;Yibi;Amalgamationofpaintingandcalligraphy;Ignoringitsform;onception目录绪论···························································1一以文如画以画释道···········································1(一)文人隐逸与画以言志········································3(二)元代人品与画品的特殊性···································4二逸笔草草,抒情写意··········································4逸格画品的确立·········································5“逸笔草草”与“似与不似”······························6三笔情墨趣的独立审美··········································7赵孟頫“以书入画”及元代笔墨的独立审美··············8四崇古尚雅···················································8(一)古意与赵孟頫的“古意论”·············