文档介绍：I 摘 要 韩愈是中国文学史上的杰出代表之一,他才大思雄,诗文兼擅,中唐以来, 对韩愈其人及诗文的学****阐释和研究源源不绝,清代作为中国古典文化的集大成时期,诗歌理论和诗歌批评空前繁荣,是继宋代之后韩学研究的又一高峰。诗话作为清代最重要的文学批评样式之一, 很多诗人的诗学观点都集中在他们的诗话中,考察乾嘉时期诗话对韩愈其人其诗的论评,有助于我们进一步了解韩愈的形象、韩诗的特色,以及韩愈在这一时期的地位与影响。 正文第一章论述清乾嘉时期诗话中的韩愈形象:韩愈才气鼎盛,是中国文学史上少有的诗文兼擅的大家,但也因才气卓绝傲然,任性而发,导致其诗作常常缺少含蓄,过分求险求怪,而遭到乾嘉时期诗人的批评;韩愈爱才若渴、举荐后辈不遗余力,但又时有“爱才而略其行”之举;韩愈以儒道自任,其辟佛之功不可谓不大,却又爱与僧人交往。乾嘉时期诗话中这些看似矛盾的现象,还原了一个真实的、有血有肉的韩愈。 第二章从几个侧面来探讨乾嘉时期的诗人对韩诗的论评: 乾嘉时期诗人对韩诗的特色有着较为清醒的认识,他们对韩诗“奇险”的风格褒贬不一,又在继承前人观点的基础上,探究“奇险”诗风的成因,形成了影响深远的“欲自振于一代”说;站在历史制高点的乾嘉时期诗人,从诗歌发展演变的角度,指出了韩愈古体诗的特色与价值、韩孟联句在联句发展史上的重要意义,并对韩、孟关系进行了考辨;对于韩愈备受争议的具体诗篇,乾嘉时期的诗人们也展开了具体的论辩,深化了后世之人对韩诗的认识。对《南山》与《北征》优劣之争的论辩,为后世之人评判《南山》诗提供了新的视角。受温柔敦厚诗教观的影响,乾嘉时期诗人对韩愈《琴操》十首推崇备至。对韩愈备受非议的教子诗,乾嘉时期有些诗人持论较为通达,对此予以理解和肯定。 第三章考察乾嘉时期诗人对后人学韩的论述,他们在诗话中,将欧阳修、苏轼树立为后世学韩的典范,指出“师其意辞固不似,而气象无不同”才是师法前人的最高境界;这一时期的诗话中还记录了清人学韩的盛况,从中也可以窥视出韩愈在清代的影响。更重要的是,此期的诗人还在诗话中论述了清人学韩之失, 并进而指出了学诗作诗之法,这有助于纠正当时诗坛的流弊,对于后世之人学韩学诗也有裨益。 关键词: 乾嘉 诗话 韩愈 研究类型:理论研究万方数据 III Abstract HanYu is a outstanding scholars in the history of Chinese literature , He is very poems and articles are writ ten very well .Since the Tang dynasty , a lot of people study on HanYu's poetry . Qing dynasty is a peak period in the development of ancient Chinese literature, poetry theory and poetry crit icism of this period have an unprecedented prosperous,It is another peak of HanYu's study af ter the Song dynasty . The books of poetry appreciation as one of the most important style of literary criticism in the Qing dynasty, A lot of poet' s poetry theory written in these books. The research on QianJia period poet criticism of HanYu , can help us understand HanYu and HanYu's poetry ,it also can help us to understand HanYu's stat us and influence in this period. The body of the first chapter , anal ysis HanYu's image in QianJia period : HanYu has remarkable talent , he is one of the few talent people in Chinese literary history , but it has also led to his poetry lack of poetry implica tive, e