文档介绍：.I:海人学文学硕:}:学位论文垒望!墅型塑壁堕型!!墅型生型型望堕些堕生望!坚垫坐摘要改编自文学作品的电视剧闩益增多,改编理论研究也历时已久,但大多集中在电视剧是否忠于原著的问题上。本文从文字媒介与影像媒介的内在特点出发, 以《长恨歌》为研究个案,旨在探讨电视剧《长恨歌》在叙事结构,人物设置和叙事语式上对小说的改编或再创造。首先,从叙事结构来看,文字符号与影像符号的不同特点使得小说和电视剧在情节设置上大相径庭。小说以文字为媒介来表达思想、形成风格,而电视剧则主要以运动的画面讲述故事、呈现主题。其次,从人物设置来看,小说作者常常通过一些人物来引导观众更好地理解主题思想,这些人物并不一定与故事有必然联系。然而,在电视剧里,所有人物都承载着一定的叙事功能,这些人物必然与故事情节发生关系。由于媒介差异, 小说与电视剧塑造人物的方式也不尽相同。最后,从叙事语式来看,语言文字可以深入人物的内心,向读者打开一个个色彩斑斓的内心世界,而电视剧改编所面l临的问题是:如何通过影像来呈现、传达人物心理乃至思想倾向。电视剧《长恨歌》通过人物台词、细节、微相表演、镜语形式以及字幕进行了恰切的转换。关键词:媒介叙事结构人物设髯叙事语式垒望!竺型!竺塾塑!!鲤堡塑!!韭墅竺!!业竺|旦垡翌苎垡坚坚竺堡塑 Abstract The adaptation ofteleplay e coinlnon thestudy ofthe theory ofadaptation hasbeen along time,but most ofthem stay theproblem thathow much theadapting teleplay agrees papertake(anthem ofeverlasting SOITOW)for instance totry toresearch how theteleplayrearranged thenovel inthe narrative structure,castingroles,and thenarrative mood,from the differentfeatures ofthe image medium and thelingualmedium. Atfirst,according tothenarrative construction,the different featurebetween the writingsystem andimagesystem make thedifferences inthebeginning andplotand theend novel expresses the es into astyleby the lingual medium,however,the teleplay tellsstoryby moving pictures chiefly. The second,according tocastingroles,novel usually arranges some rolestohelp peopleunderstand thetheme,because thetheme isveryimportant these roleshave no necessary relationwith thestory innovel,however,all roles must have something todowiththeplot inteleplay,and eachofthem performs some addition,became ofthedifferentmedium,there are some differences between novel andteleplay incharacterizing thestory roles. Intheend,according tonarrative mood,the lingual system can godeep intothe heart ofthefigures,open abeautiful wodd how teleplay shows the feelings and minds toaudiencebyobjectiveappearances,which isanimportant problem teleplay(anthem ofeverlasting SOITOW)went pr