文档介绍：6×6方画幅构图
正文：
Published in the German magazine NaturFoto， May 2003. The photos are the same ones as used in the article。
出版于2003年五月的德国杂志《NaturFoto》，这些图同样出自同一篇文章。
Square Scotland
方画幅苏格兰
Composition with a 6x6.。.？
6×6构图
Wim van Velzen
并刀如水译
River Cononish， Tyndrum， Stirling； Juli 1999, early morning
Bronica EC-TL， 50 2。8 zenzanon, about 1 sec @ 16， fuji provia 100
All images are made with use of a Manfrotto 190B tripod and 410 geared head。
所有图片用曼富图190B三角架和410云台拍摄
Historically many landscape photographers have used large format cameras。 The large negatives or slides deliver beautifully detailed images with a very nice tonality。 Most of the time the subject doesn’t move, so the slow way of working is no problem. An added bonus is the possibility of using tilt, rise， shift and the like — those movements enable exact placing of focus and perspective.
These cameras have disadvantages as well: heavy carrying is involved， the materials used are rather expensive and slides can hardly be projected。
On the other end of camera spectrum there is the 35mm camera (film or digital） with its many lenses， its low weight and relatively low costs。 One clear disadvantage they have： the small film area。
No surprise many photographers choose the golden mean: the medium format!
以往很多风光摄影师使用了大画幅相机。大底片或幻灯片保留了完美的细节，，主体不会移动，慢节奏的工作没有问题。运气好的时候,你还能通过倾斜，上升，移动等来获得精确的对焦和透视。
这种相机的缺点也同样存在：沉重，难以搬运；消耗品较为昂贵；幻灯片难以放映。
照相机谱系的另一端是35mm相机（胶片或数字）及其庞大的镜头群。重量很轻而且相关费用也很少。一个明显的缺点是:胶片面积小。
毫不意外的是，很多摄影师选择了中庸之道:中画幅。
Glen Rosa， Isle of Arran; Juli 2001, evening
Bronica EC—TL, 150 zenzanon， about 1/8 sec ＠ 16, fuji provia 100F
Landscape seems to fit best in the panorama format. Most scenery stretches into a certain width. But most medium format cameras make images with a less rectangular ratio， like the 3:4 of 6x4。5 or 4：5 of the 6x7 format (actually 55x70mm) or even all square: 6x6！
And frankly, yes： for panoramas a 6x17 camera is of course a magnificen