文档介绍：摘 要
，并对她所提出的性别观点进
行梳理和思考。女性的身份在她笔下被解构，同时也被重构。从她为性别“增添烦恼”到
解释这种“性别烦恼”，不管怎样，。
巴特勒所提出的操演理论揭露了传统异性恋霸权文化的弊端。她认为性别不是天生的、
固定的、二元对立的，而是变化多元的。这一思想的提出解构了二元性别观，女性主义发
展由此找到了新的出口。
本文着力于对她的操演理论进行解析。其中包括：操演理论的来源、操演的话语构型、
场阈以及对操演的批评研究。首先，本文追溯了巴特勒操演研究的理论来源，分析了马克
思主义、黑格尔哲学及前期女性主义对其性别话语构型所起的作用。其次，本文着重分析
她的第一部性别著作：《性别麻烦》。通过对《性别麻烦》的展开剖析，说明操演理论如何
解释对于性别的颠覆和消解。接着分析性别颠覆的重要场所——身体，对操演所采取的策
略进行阐释。最后，从其他理论家的视角对操演理论进行批判研究，阐明了女性这一身份
建构的模式和策略。
基于此，本文结论如下：操演理论是对女性身份的解构，并是在此基础上试图找到重
构女性身份的一种出路。
关键词：性别;操演;重复;身体;解构
I
Abstract
This dissertation is a linearized study of performativity advanced by the
post-feminist Judith Butler in which her thoughts of sex/gender are criticized and
reconsidered. In fact, women’s identity has experienced the deconstruction as well as
the reconstruction in her works. Although she has caused trouble for gender, she also
tries to explain this gender trouble. Her efforts are highly praised for the
reconstruction of female identity.
Adopting the linearized methodology to research on performativity, the author
of this dissertation traces the sources of this theory; interprets its production and
place and researches on the related criticism as well.
Part one of this dissertation mainly concerns the production of performativity
that reveals the interior mechanism in which the discrimination against women is still
operational. Marxism, Hegelianism and theories of the second wave of feminism are
key sources which lead to the very formation of performativity. In part two of the
essay, the author of this dissertation totally focuses on Gender Troub