文档介绍：华中科技大学硕士学位论文摘要在当代作家中,余光中最先是以诗歌创作的成就见称于世,并最终奠定其在台湾文坛的卓越地位的。早在20世纪60年代,当白先勇等人开始创办《现代文学》时, 余光中已经是台湾蓝星诗社颇负盛名的诗人了。然而,就在他的诗名在台湾“如同中天”之际,这位勤奋的作家又开始了对散文创作的不懈追求,喊出了“散文革命”的口号,并用自己的创作对之做出了极大的贡献。著名文学家梁实秋曾评之曰:“余光中右手写诗,左手写文,成就之高一时无两。”这也是这位诗人兼散文家在诗歌和散文两个领域辛勤劳作并取得双重丰收的真实写照。然而长期以来,人们更关注的是作为诗人的余光中所建构的诗歌大厦,而对作为散文家的余光中所布设的散文方阵却甚少研究,这导致公众对作家的认识事实上出现了片面和偏颇,对作家也是不公允的。其实,余光中的散文和他的诗歌一样,具有独特的美学追求和很高的艺术价值,他笔下的一组对中华文化苦恋的散文,充分地展示出一个“寻根者”的自我形象。那悠悠不绝、情感深挚的对文化生命之根的追寻,那永远无法割断的中国文化情结,给读者留下很深的印象。在台湾甚至还有人将余光中在中国现代散文发展中的地位与韩愈在古代散文发展中的地位相提并论。这种评论是否确当,还可商榷,但从中可以窥见台湾和海外华人圈对余光中散文的看重。相比之下,大陆文学界对余光中散文的研究还比较欠缺,重视也不够。有鉴于此,本文愿做一点初步的探讨。关键词:余光中散文革命中国文化情结文化寻根华中科技大学硕士学位论文 Abstract .Among Contemporary writers,Yu Guangzhong was famous forhis ess inpoetry writing first and thatsettled hisoutstanding status inthecircle ofTaiwan in theearly 1960s,when BaiXianyong and hisassociates founded‘‘Contemporary Literature”, Yuhad already builtup hisgreat reputation inTaiwan BlueStar poets ,just ashispoems’reputation inTaiwan was likethe sun athi曲noon—at theapex ofhisca心er, thisdiligent writer startedpursuing prose writinguntiring/y—he cried out theslogan of ·‘proserevolution”,and made agreat contribution towards itsby his OWll writings. Commented by the famous literaturewriter,Liang Shiqiu,“Yu Guangzhong uses hisright hand towritepoems,while using his lefthand towriteprose;his great achievements cannot bematched upby others inhistime”.This isjust the exact portrait ofthehardworking in poem and prose fieldsand thegreat harvests inbothofthispoet andprose , in along time,people pay alotofattention tohim,as apoet,and thegrandiose poet building he had constructed,but pay liRle tohim,as aprose writer,and thebeautiful prose world results in thepublic unilateral anddeviated understanding and itis not fair to thisgreat prose,indeed,is just likehispoems,possessing distinctive aesthetic pursuing and high aesthetic instance,a suite ofhisprose on atopic ofhi