文档介绍：汕头大学硕士毕业论文图像中“侠”的衍变 II Abstract "Chivalric " as a cultural speaking, in ancient China has been shielded outside from the mainstream culture, in a kind of "being marginalized" situation, this is aninevitable result under the ruleofthe feudal centralization .But life of misery and oppression of the ruling class which is "Chivalric " e lower peopleredemption, respected of the heart; And part of the literati due to various reasons composed many literary works, showed theyearningfor"Chivalric " and praised it, these works when in creation influenced bythe "Confucian", "Dao", "Buddha" and so on. Culturalstrength is immense, these “Chivalric " circulating in folk, hadbeenchangedinpeople?sheart with the passage of time This is a repeat of process, in which, the art is the most intuitive express, ancient Chinese artist created a performance "man" works of art,based on historical stories and literary the intuitive visual image to convey the "Chivalric " of various face. Based on the existing art material, take image study method, analyzes its artistic value and according to the relative literature show different period works of art information conveyed by the evolution of the “Chivalric ". The article is divided into five parts: the first is the introduction of this research part, made to define, this paper describes the range of"Chivalric " academic research status andpurpose ofthis research; The second is the Chivalric inHan dynasty?sart performance, mainly fromthe history of Han dynasty stone art, analysis the face of ChivalricinHan dynasty. Thethird is the face of Chivalricin Tangdynasty, because Lack of artwork handed down from ancient times,this paper tries to restoring by anglicizingunearthed cultural relicsand a book named“JianXia preach”Thefourth is Chivalric in Ming and Qingdynasties ?sprints, mainly based on “The leaves of shuihu”maked by Chen hongshouand pictures of the Qing , Summary the change of Chivalric and effe