文档介绍：提要
本文以“拉杰普特的眼神”为题，着重讲述作为印度细密画的重要分支的拉
杰普特细密画的观念性及程式化特点。本文由拉杰普特细密画中人物的眼神特点
为切入点，论述细密画特殊的造型观念及审美倾向，并通过简要分析细密画的布
局特点说明当时人们的时空观念。论述细密画的用色方式及条件、铺色方法来说
明当时的绘画艺术背后承载了浓厚的观念意识。加之当时社会盛行的宗教观念和
阶级社会下的伦理观念，使得画面无处不观念。由此得出结论，说明印度细密画
的创作是受到观念所支配的。进而将目光放远，引申出东方艺术的观念性和程式
化。
关键词：细密画 观念 东方艺术
Abstract
In this paper, "Rajput's eyes" in the title, highlighted the plight of Indian miniature
painting as an important branch of the Rajput miniatures conceptual and programming
features. This article from Rajput miniature painting features the characters look as
the starting point, discusses the concept of miniature painting and special styling
aesthetic tendencies, and through a brief analysis of the layout of miniature painting
features indicating that the concept of people's time and space. Discusses the use of
color miniatures manner and conditions, paving way to explain the color behind the
art of painting was carrying a strong concept of consciousness. Coupled with the
social and religious ideas prevailed under the ethics class society, making the screen
ubiquitous concept. Conclude, indicating the creation of Indian miniature painting is
dominated by the concept. The far-sighted and thus gives rise to the concept of
oriental art and stylized.
Keywords: miniature painting ideas Oriental Art
目录
导言 …………………………………………………………………………………1
第 1 章 填空式布局………………………………………………………………2
平面上的空间……………………………………………………………………2
图解式的表达……………………………………………………………………4
感觉的真实………………………………………………………………………6
第 2 章 程式化因素在细密画中的位置……………………………………8
侧面律手法………………………………………………………………………8
想象中的色彩…………………………………………………………………10
繁与简的交织…………………………………………………………………11
第 3 章 高傲的拉杰普特的眼神………………………………………………12
“徒有其表”的交流方式………………………………………………………13
眼神的状态……………………………………………………………………13
高傲的眼神……………………………………………………………………14
附录…………………………………………………………………………………16
结语…………………………………………………………………………………17
参考文献 ………………………………………………………………………