文档介绍：内容摘要“五四”文学革命开创了我国诗歌的新纪元。新诗——种用白话写作、表现新的时代、新的生活和新的思想感情的诗体,随着“思想解放”和“诗体大解放”的战斗呐喊,在反帝反封建的革命风暴中应运而生,茁壮成长。“五四”爱情诗,以其鲜明的叛逆倾向,成为第一个十年新诗创作的一个亮点。青年男女争取恋爱自由的个性解放心声,在诗中荡起了美妙的回响,“五四”爱情诗就像生命之原上的火种熊熊燃烧起来。本文试图通过对其代表诗人爱情诗创作的梳理, 总结其诗歌创作的风格特色,侧面触及“五四”的时代精神。本论文主体由上篇和下篇两部分组成。上篇:在“五四”这样一个特定的时代,诗人们抛却了传统道德观念的束缚, 以真挚坦诚的心怀感应时代脉搏的跳动,可以说,第一个十年爱情诗的创作鲜明地烙上了时代的印记,其特色是独特的,具有“情爱思想别样化”的思想特征。对这一特征将从四个方面加以论述:一,反对礼教,追求自由;二,回避现实, 纸上谈爱;三,爱情与哲理的联姻;四,异国情调的咏叹。下篇:从诗人们情爱抒写的表达方式及情感浓烈强度出发,去探讨本时期爱情诗的形式追求。他们笔下的情爱是多种多样的,相应地,诗人们对诗歌形式的采用及情爱抒发的方式也就有区别,具有“咏爱方式多样化”的形式特色。有的是随情造形,形随情设,诗歌的形式自由灵活;有的是赋情以形,情由形牵,诗人有意造形,规范情感的抒发;有的则是托象传情,形游离象外,情由象而出。总之,“五四”时期的爱情诗,从形到质,全方位地传达了时代精神。在中国爱情诗的历史长河中,具有承前启后的特色和意义。关键词:“五四”时期爱情诗思想别样化形式多样化 n Abst ract T1le“Mav 4。’literary revolution in1919 marked anew era of poetry inChin乱 Modem Chinese poetry--the poewj that iswriuen invernacular Chinese and represents thenew era,new life,new thoughts appearance and growth ofSUch poetry panied by the“ideological emancipation'’,the “poetryrevolution”and thestorm ofanti-imperialist “May 4m’'lovepoetry stands 0ut with itsexplicit rebeilious inclination and thUS es thehighlight ofthecreation ofnew poetry during the1“decade ofthat era. Young men and women at thattime aspire for thefreedom ofIove and the liberalization aspirations beg:ame echoing meledy inthe“May 4“’lovepoetry,which islikethe blazing fireof paper istrying to generalize the genre ofthe“May 4th,'lovepoe姆by analyzing the representative thespirit ofthatage willbeindirectly touched intheprocess. ne body ofthepaper fallsintotwo parts. T1lefast part:In the specific age represented by“May 4”".tllepoets had discarded thefettersoftraditional morality and feItthepulse ofthe age with n frankand sincere 'ssafe tosay thatthepoetrycreatedduring thefirstdecade bears an obvious mark of thatage and has aunique feature thatc柚be called “unconventional emotiohal and ideologicaltrait”.黜paper will focus on the following f