文档介绍：汕头大学硕士毕业论文图像中“侠”的衍变 I 摘要“侠”作为文化来讲,在中国古代一直被屏蔽于主流文化之外,处于一种“被边缘化”的境地, 这是封建集权统治下的必然结果。然而生活的苦难和统治阶级的压迫使得“侠”成为下层民众心中的救赎,备受推崇;同时一部分文人由于各种原因创作了众多的文学作品,表现了对“侠”的赞赏和向往, 这些作品的创作不可避免的受到当时“儒”、“道”、“佛”等主流文化的影响。文化的力量是巨大的, 这些经过文化加工的“侠”传播于民间,使得不同时代人们心中“侠”的面貌随着时间的推移发生变化。这是一个不断重复的过程,其中,艺术是最直观的表达,中国古代的艺术家根据流传下来的历史故事和文学作品创作出了表现“侠”的艺术作品,以直观的视觉形象传达了“侠”的各种面貌。本文对现存的艺术资料,采取图像学的研究方法,分析其艺术价值并根据相应的文史资料展示不同时期艺术作品所传达出的“侠”的衍变。文章分为五部分:第一是绪论部分,对本文的研究范围作出界定,简述学界对“侠”的研究现状以及本文的研究;第二是汉代艺术中对侠的表现,主要是对汉代画像石艺术中的历史故事画像进行解析,对照史书记载分析汉代“侠”的面貌;第三是对唐代“侠”面貌的复原,由于此期***艺术品的缺少,本文试由依据唐传奇故事刊刻的《剑侠传》入手,结合唐代出土实物、相关绘画作品分析此时“侠”的特点;第四是明清艺术中对“侠”的表现,主要根据明清版画中有关“侠”的作品进行分析,以明陈洪绶的《水浒叶子》和清代盛行的武戏年画为主,结合相关文史资料分析“侠”的面貌;最后是结语部分,总结“侠”的衍变以及艺术在其中的作用。关键词:“侠”画像石明清版画汕头大学硕士毕业论文图像中“侠”的衍变 II Abstract "Chivalric " as a cultural speaking, in ancient China has been shielded outside from the mainstream culture, in a kind of "being marginalized" situation, this is aninevitable result under the ruleofthe feudal centralization .But life of misery and oppression of the ruling class which is "Chivalric " e lower peopleredemption, respected of the heart; And part of the literati due to various reasons composed many literary works, showed theyearningfor"Chivalric " and praised it, these works when in creation influenced bythe "Confucian", "Dao", "Buddha" and so on. Culturalstrength is immense, these “Chivalric " circulating in folk, hadbeenchangedinpeople?sheart with the passage of time This is a repeat of process, in which, the art is the most intuitive express, ancient Chinese artist created a performance "man" works of art,based on historical stories and literary the intuitive visual image to convey the "Chivalric " of various face. Based on the existing art material, take image study method, analyzes its artistic value and according to the relative literature show different period works of art information conveyed by the evolution of the “Chivalric ". The article is divided into five parts: the first is the introduction of this