文档介绍：[摘要]十竹斋艺术由明代胡正言所创。胡正言字曰从,壮年定居南京,潜心书画篆印,并以刻书代耕。于天启丁卯(公元1627年)成《十竹斋画谱》,崇祯甲申(公元1644年)成《十竹斋笺谱》。二书在世界版画史、印刷史上,为我国文化写下光辉夺目的一页。本文作者站在当下版画创作者的视角上通过历史上几次对十竹斋艺术的回忆,从中分析十竹斋艺术的儒雅、质朴、精致、舒朗的作品特征,研究十竹斋艺术发端的明代社会与胡正言及其艺术之间的关系,以及胡正言自由的精神气度和独立的人格魅力,真正对“传统”有全方位的了解。以期有益于当下的版画创作。[关键词]十竹斋艺术胡正言历史回望郑振铎鲁迅江苏水印木刻“十竹斋”复业文脉[Abstract]Shizhuzai arts are being spoken and creating by theMing Dynasty moustache for speech word Hu from,horbor meridian pile printcalligraphy and paintings withgreat concentration,and inorder tocarving book doing farrnwork for asoldier' man e”ten bamboo rOOm book onthe artofpainting”the fourthofthetwelveEarth Branches . 1627),first Emperor Chongzhen explain()and e”ten bamboo room writing paper tables”on ,in theprinthistory, printing history oftheworld,it isthe culture of our country thatwrites down abrilliant chapter author ofthis text stands on the visual angle oftheprint creator instantlypassing for several times in history totenbamboo rooms ofmemory ofthe art,works characteristic of cultured,simple,exquisite,Shu Lang who analyzes tenbamboo room arts, study moustache speak freespiritual manlierandindependent personality glamour,ten bamboo room MingDynasty society and ZhengYan and theft relation of art Hu that art make a start,really have an knowledge of”tradition”.In the hope ofbeing favorable tothepr