文档介绍：本科毕业论文论文题目: 全新的回归——德国新表现主义的创新式回归系别: 美术史论专业: 美术史论论文作者: 张玲指导教师: 俞永康完成日期: 2005 年6月6日论文样本四号宋体加粗四号宋体鲁迅美术学院毕业论文任务书学生姓名系别专业年级毕业论文的起止时间论文题目毕业论文主要研究内容本课题的目的、意义和国内外研究概况完成论文的条件、方法、措施以及可能存在的问题指导教师意见及建议指导教师签名: 系主任签名: (系章) 年月日摘要目前,充斥在当代各大美术馆中的艺术品多数是装置、多媒体作品, 馆外又常常上演着各种各样的行为艺术, 已经有人提出“绘画消亡论”一说, 于是在学术界, 关于“绘画是否向架上回归”的讨论成了这几年的热门话题, 很多学者都强调绘画回归架上的重要性, 笔者也认为, 绘画向架上回归是艺术发展的趋势,新表现主义绘画便顺应了这个趋势, 完成了向架上的回归, 但它的回归不是简单的重复,更不是机械的模仿, 而是创造出全新的内涵和崭新的时代风格,其中做的最出色的是德国的新表现主义,它非常富有民族特色, 在传统德国表现主义的基础上呈现出全新的内涵和精神面貌。……关键词: 德国;新表现主义;回归;创新三号黑体居中四号仿宋四号黑体小四号宋体 Abstract Currently, a lot of art work that lie in each big gallery are most of Installation and Multi-media work, and all kinds of behavior art usually perform outside of the big galleries. Someone has already put forward “ the pai nting perished ”, thus, in the art fields, a discussion concerning “ pai nting whether returns to the easel ” es a hot issue in these several years, a lot of scholars all emphasize the importance that the painting returns to the easel, the author also agree that the painting returns to the easel isa trend of art developi ng, the New Expressi onism painting adjusted to this trend, which returned to the easel, but this returning to the easel was not the simply repetition, and not si mply imitation, but created the new times meaning and new times style, among them the New Expressi onism in German was the most outstanding, it was full of racial features, presented the new content and new spirit feature in the foundation of the tradit ional Germany Expressi onsm. …… Key words: German ; The New Expressi onism ; Returni ng ; Creati on 三号 Ti mes New Roma n 加粗小四号 Ti mes New Roman 四号 Ti mes New Roma n 小四号 Ti mes New Roman 目录引言··················································································· ·······1 一、德 国新表现主义的产生··············································2 二、与德国表现主义相比较, 德国新表现主义的创新性体 现在哪些方面····························································6 ( 一) 政治历史性题