文档介绍：外文文献翻译
文献出处: Valiani A. A Brief Analysis to the Interior Design of Shallow Women Adornment Style [J]. Journal of Hydraulic Engineering, 2010, 1(3):10-16.
原文
A Brief Analysis to the Interior Design of Shallow Women Adornment Style
Valiani A
Florin Steinheimer, a famous female artist in the United States, once passed her favorite home surrounded by flowers and flowers and flowers in her painting “Family Portrait No. 2”. The woman “occupies the entire visual center in a cutting manner.” Everything is as described in her poem “Veronese's green lace tights, dark patterned long skirts and knit frills, silk jewellery boxes Filled with strings of Roman pearls; very favorite light-washed silk curtains, ribbons with light Roman stripes, carpets full of bouquets, Sevres porcelain vases and gilded-edged tables sprinkled with the morning light; mother The fairy tales that we read, the blooming gardens and the desserts of Maillard and Walt Disney's cartoons, "" In these words, the jumping details and the purely sensory cognitive features interpret women's perceptual experience characteristics. The flowers, fabrics, furnishings, and fairy tales that are described are the most gentle and sweetest expectations of women for the family. All these are the most perfect interpretations of women's decorative styles.
Throughout the ages, due to the special physiological instincts of women, the female-style decorative art has always occupied a large market space in history, especially the Baroque art with strong feminine characteristics developed in the Italian Renaissance in the 17th to 18th centuries. The decorative style is even more popular and affects the whole of Europe. The influence of its artistic language is closely related to the emergence and development of the Art Nouveau movement. However, as a hobby and fashion style, the Baroque is also limited to the luxury of the palace and the elegant residence of the noble house decoration, the concept of decorative style is limite