文档介绍：龟兹壁画与我的创作
摘要
我的作品《双展本生图》以陶瓷做载体,运用了浮雕、刻线相结合的技法。
灵感来源于新疆克孜尔石窟第205窟的一组《阿阇世王之梦》故事壁画中的一位手持绘有佛陀本生图布质画卷的站立人物形象。
阿阇世王与佛同时代人,受提婆达多蛊惑,囚母弑父为王,后因果报遍体长满浓疮。后来忏悔并皈依佛门。行雨大臣是《阿阇世王闻佛涅槃闷绝复苏》中的一位重要人物。阿阇世王知佛涅槃时吐血晕厥,行雨大臣立即带帛画“四相图”至阿阇世王面前。
根据这个形象创作了两个相对应的西域人物形象,她们手中的画卷中描绘的图案是:佛陀成道八相图。即为佛陀乔达摩·希达多成佛前的八个经历:乘象入胎、太子降生、逾城出走、修行成佛、、四方传道、杏林涅槃。绘制画卷内的内容时,用装饰图案将四个情节分开,并且让不同时空中的人物互相遮挡,形成一幅即完整又相对独立,即有装饰性又有故事性的画卷。
通过这次创作实践,我逐步了解到了龟兹壁画,并对壁画中人物显著的西域风格形象及夸张的表现手法有了初步的认识。
关键词:陶瓷浮雕宗教人物形象龟兹壁画
QIUCI MURAL AND MY PRODUCTION
ABSTRACT
My works <Conditioned Existence> is a piece of ceramic works, which conbines the use of relief and reticle techniques with single colored glaze.
The inspiration from this works is from a mural called < Ajatasatru's dream> on the cave west of the wall in Xinjiang Kizil Grottles. The story is : When Sakyamuni went into nirvana, a senior Ayusmant said to Varsakara that king Ajatasatra would spit blood and fall into unconsciousness. When the king saw the scene of Buddha's nirvana, he fainted away immediately. manded servants to put the king into a huge medicine jar. This murals shows a character on a painting cloth and the cloth is drawn on the Buddha's whole life experience.
According to the images from the mural, I create to corresponding western regions characters. Their painting clothes in their hands depict the patterns are:That is, eight plots of painting from Gautama hilda, which is also the eight representative experience before Gautama Hilda became the Dharma. The eight plots involve riding an elephant in the monther's belly, born in palace, palace escape, e the Buddha, had speeches in different places and nirvana in the forest.
In painting the contents of the volume, I use decorative patterns to separate the four plots and to make the characters block from each other, so that the painting would plete and it would be easier for audience to understand the story which is full of decorative and stories.
Through this creation, I gradually deeply underst