文档介绍：文人画家笔下的观音像中文摘要
文人画家笔下的观音像
中文摘要
佛教艺术对中国绘画的发展有着不可忽视的影响,它丰富了传统的绘画内容,促
进了绘画技法的发展。而观音作为佛教中重要的神袛之一,被历代艺术家所喜爱,她
从最早在犍陀螺艺术时代被创造到经过各民族的艺术改造再到传入中国后被丰富发
展,历尽了漫长的过程,也融入了各民族的文化艺术精华。观音像作为中国画家所喜
爱的表现对象,在宫廷画家,文人画家,民间画工共同创作下,为我们留下了宝贵的
艺术财富。文人画家在中国绘画史上独树一帜,他们将丰饶的笔墨与主体心灵相结合,
绘出了或圣洁慈悲,或温雅纯净,或空灵静美或洒脱不羁等各种不同风格的观音。从
而让观音脱离了佛家造像的仪轨,统治者口味的约束,赋予了观音画像一个新的艺术
生命,真正的实现了的观音“随类化度”。本文主要从观音的艺术渊源,文人画家与观
音像的不解情缘及文人笔下的风格各异的观音像几方面来探析文人画家笔下优秀的
观音画像作品,分析其观音形象,绘画风格样式,寓意及画家特有的观音情怀。从而
了解文人画家的艺术目的与审美追求以及他们笔下独具风格的观音像。
关键字:佛教艺术文人画家观音像风格
作者:李静
指导老师:黄艾
I
Abstracts Guanyin Image Created by Literati Artist
Guanyin Image Created by Literati Artist
Abstracts
Buddhist art has a great impact on the development of Chinese painting which has
enriched the content of traditional painting and promoted the development of painting
technique. Guanyin(Avalokitesvara), as one of the most important deities in Buddhism,
enjoys great popularity among artists in history. She was firstly created in Gandhara art era
and then artistically transformed by various nations who was finally enriched and
developed after being introduced to China. It is such a long process during which mixed
with different cultural essence of art. Guanyin, Chinese artists‟ favorite expression object,
has contributed valuable wealth of art to us in the co-creation of the court painters, literati
artists and folk artists. The literati artists have their own unique style in the history of
Chinese painting. bine the varied lines with the soul of subject so that different
styles of Guanyin are created who are holy, gentle, intangible, or unruly. Guanyin thereby
is separated from the rules of Buddhist statues and the limit of rulers‟ opinion while she
gains a new life of art and fully embodies the so-called “Transfigure Humans in Change”.
From the aspects of art origin of Guanyin, the beautiful "love" between the literati artists
and Guanyin, the different styles of Guanyin images