文档介绍：河北大学
硕士学位论文
全球化语境下中国画艺术面临的挑战与抉择
姓名:王悦欣
申请学位级别:硕士
专业:艺术学
指导教师:谷中良
20040501
摘要
摘要
中国画作为中华民族艺术的象征曾以自身优秀的美学体系光照世界然而进
入近现代中国画却呈现出僵化停滞的潜在危机尤其是在全球化进程加快的今
天中西文化传统与现代的碰撞使中国画面临着严峻的冲击和挑战如何应
对全球化挑战在新的历史境遇坚守并创造与西方霸权文化同等的话语权重建
中国画艺术在全球格局中的文化认同与价值肯定成为重要的理论和现实问题
本文以辩证唯物主义和历史唯物主义为指导从艺术学和美学的角度着手
现象剖析本质力求从较系统的理论层次探讨全球化大背景下中国画面临的困境
机遇与挑战提出了一些思路本文分为五个部分
前言部分介绍提出问题的宏观背景及现实意义
第一章谈百年中国画发展的融突历程通过回顾百年中国画融突变革的发展
历程分析关系中国画前途的四次论争廓清中国画由传统走向现代的缘起和来
龙去脉认识中国画升沉起伏的根源和动力
第二章廓清全球化的新语境与中国画的新世纪思考解读全球化概念的内涵
思考在新的语境下中国画的弊端和面临的困境并指出了中国画改革的客观必然
因素
第三章论证全球化视野中中国画的坚守与创新中国画传统的精髓和魅力在
于它具有独特的东方艺术特征和独到的审美理念民族是世界的组成部分有坚
守亦有创新我们要按照“多元互动和而不同”的思路寻求改革与发展
最后是结语中国画面临新的挑战也面对新机遇在全球化语境下中国
画精神不倒明天会更加辉煌
关键词全球化中国画困境挑战与抉择多元互动和而不同
Abstract
Chinese painting, as the symbol of Chinese nationalities art, has been shinning in
the world by its’ best aesthetics system. Ever since modern times, under the lash of
western modern civilization, Chinese painting has undergone an earth-shaking change.
Undoubtedly, the so-called modern creative development of Chinese painting of 20th
century has always followed the lead of western art. So to the views about “traditional
Chinese painting” of the history of the last hundred years, all of them show different
problems of cultural acceptance. Facing the advent of the so-called “globalization” in
the 21st century, we should not placent and conservation to such an extent and
carry forward the real value of tradition under the condition of accepting cultural
pluralism and negating placency. And what shall we do, and how we
should do, will be a very important problem of theory and reality.
According to dialectical materialism and historical materialism, this text expresses
the question from arts and aesthetics angles, and sees through appearance to the essence.
The text gives some ways to settle the problem. Five parts:
Preface
Part one: Chinese painting of the history of the last hundred ye