文档介绍：南京师范大学
硕士学位论文
1990年代以来台湾女性电影导演影像创作研究
姓名:刘晓娟
申请学位级别:硕士
专业:艺术学
指导教师:孙慰川
2009-04-25
摘要
摘要
台湾女性电影导演在电影工业中扮演着十分独特的角色。她们的影像创
作虽然力量有限,但由于其不同于男性导演的性别意识和性别经验,使得她
们的影像作品往往带有别样的视角和表达方式。特别是自 1990 年代以来,
台湾出现了一些优秀的女性导演,开始进入真正的女性影像创作阶段。
本文将 1990 年代以来台湾主要有代表性的女性导演作为一个整体来进
行研究,主要是因为她们不仅代表着不同的年龄层次、有着各异的创作风格,
更重要的是,她们在创作中总是有意识或无意识地选择女性议题,以女性为
主角,以丰富多样的主题来表现女性的生命体验和主体意识。
论文主要从叙事学的角度对影片的叙事主题及女性形象进行分析。台湾
女性导演的电影作品叙事主题多样,且多是从女性的角度,关注不同女性的
心理和生活状态;而真实的女性形象的塑造则最能够体现出女性导演有别于
男性的创作思维。在此基础上,论文进一步深入论述了台湾女性电影导演影
像创作中所体现出的自我审视意识和生命哲理意识,期望从中发掘出她们影
像创作的文化艺术价值和意义。
关键词:台湾电影,女性导演,女性意识,叙事主题,女性形象
I
Abstract
Abstract
Taiwan female film directors play a unique role in the film industry. Although the
forces of their video creative are limited, but their awareness of gender and gender
experience are different from men's, and they make the video works with different
perspective and expression. In particular since the 1990s, there are many excellent
female directors in Taiwan. Women began to enter the real video creative phase.
In the article, the representative women directors of Taiwan since the 1990s will
be researched as a whole, for they represent the different age levels, with different
creative styles; and more importantly, they are always to choose the subjects of
women in conscious or unconscious to reflect women's life experiences and
awareness.
Mainly from the perspective of narrative, the thesis analyses the narrative subject
and female image of the films. The diverse narrative subjects in films by Taiwan
female directors are always concerned about the different female psychological
conditions and living conditions from the perspective of women, and the real images
of women are able to reflect that the film creative thinking of female directors is
different from the males. On this basis, the thesis analyses the observation of
self-awareness and the philosophical sense of life