文档介绍：天津美术学院
硕士学位论文
论中国当代现实主义版画
姓名:郑盼盼
申请学位级别:硕士
专业:美术学
指导教师:孙世亮
20090401
论中国当代现实主义版画

内容摘要:
置身于当代中国社会,各种文化融会交织在其中。由此我们的自我认知也就受到正在发
展进行的先进文化的影响,致使自我显得更加有限和孤立,往往难以从整体上把握世界。但
在版画艺术中“自我认知”的局部性并不狭隘,甚至会带有见微知著的意味。我们的版画艺
术应该重新回到现实,成为我们关注生活和反省生活,直面现实世界也直面现实自我的表达
方式。由此,对生活的自我认知或者是自我表现方式已成为当代现实主义版画的特质。导论
部分以三类中国版画的主要展览,从中体现版画艺术具有当代的现实主义特质。第一部分浅
析现实主义及当代现实主义,提出“自我”在当代新的现实主义意识中的体现。第二部分介
绍中国现实主义版画的当代性及其发展趋势并提出其与欧美当代现实主义的浅显区别。第三
部分重点分析中国当代现实主义版画的表现形态及特质,分别由外在语言特点和内在特质两
个方面出发,进行例证。并对作为新千年创作思潮的主力军——“ 80 后”做一评论。第四
部分评述我在当代现实主义版画创作实践中的体验。结语部分总结全文,续写版画创作的本
真态度。

关键词:中国当代现实主义版画、生存欲求、现实文化、视觉经验、自我认知、“80 后”新
生代

2
On realism in contemporary Chinese printmaking
ZhengPanpan[Printmaking artistic creation]
Directed by Sun Shiliang

Abstract:
The modern society of China is like a robust melting pot where various cultures intertwine
together and thrive. Our self-recognition is considerably affected by the constantly advancing
cultures, to some extent, individuals’ understandings of the surroundings seem to be limited and
lagged behind because of the fast evolvement of diverse cultures. Therefore it’s very difficult for
individuals prehend the world from a holistic point of view. However, in the art of
print-making, self-recognition has no limitation in spite of the single focus on only one art form,
on the contrary, observation and understanding of a tiny element of an art work could open up a
new vista for people to interpret things from a wide perspective. The art of print-making sticks to
real life and has e an effective way for people to observe and reflect on life and face the
surrounding world and ultimately face the real selves. For that reason, print-making features with
contemporary realism.
First section of my thesis briefly analyzes realism and contemporary realism, brings up the
reflection of “self-being” in the contemporary realism.
Second section introduces the