文档介绍：安徽大学
硕士学位论文
中国古典戏曲中的定情信物研究
姓名:万明田
申请学位级别:硕士
专业:戏剧戏曲学
指导教师:朱万曙
2010-05
中文摘要
本文以古典戏曲中定情信物作为研究对象,着重探讨定情信物的渊源与背
景,定情信物在古典戏曲中的审美价值及在塑造人物形象上的作用。全文分为三
章:
第一章:定情信物的渊源与分类。通过大量材料的梳理定情信物的产生可以
追溯到《诗经》中的“静女其娈,贻我彤管”及古代婚俗中“六礼”中的“纳征”。
按着定情信物的材质分为六大类:金属类,玉石类,木质类,纸质类衣布类和其
他类;根据定情信物的赠送主体分为三类:男性是赠送主体,女性是赠送主体及
男女互赠。
第二章:定情信物在作品中的审美价值。主要有四个方面:一是结构之美。
论述定情信物在戏曲文本中的结构上审美特性,定情信物在结构之美上主要表现
在线性之美、跌宕之美及照应之美。二是情感之美。定情信物在古典戏曲作品中
洋溢着情感的因子,它们是自由之美、是坚贞之美、浪漫之美及理想之美。三是
形象之美。定情信物不仅在结构上给人一种贯穿全文的线性之美,在情感上让人
由衷感叹情真情深,但是本身的形象也暗含着难以述说的美—厚重、温情、诗画
及奇特。四是意蕴之美。意蕴是定情信物中最值得关注的东西,定情信物的特性
暗含着爱情的永远长久,定情信物的形状蕴含着爱情完美。总之定情信物在戏曲
文本中散发着浓浓审美特性。
第三章:定情信物在塑造人物形象中的作用。定情信物在文本中对男女主
人翁的形象有着彰显作用:一是显示着人物的钟情与痴迷;二是凸显人物性格上
的热烈与叛逆;三是人物性格上的主动与被动。
关键词古典戏曲定情信物审美价值人物形象
I
Abstract
This dissertation concentrates mainly on the study of the tokens of love in the
classic dramas and especially attaches great importance to the origin and background
of the token of love as well as its functions in aesthetics and characterization. This
dissertation is divided into three chapters.
Chapter one, the origin of tokens of love and its classification. Combing through
a large number of materials can be traced back to produce tokens of love keepsake of
the "Book of Songs" in the "quiet woman whose Luan, Yi-Tong pipe I" and the
ancient marriage customs of the "Liu Li" in the "Na sign." An Zhao tokens of love
keepsake of the material is divided into six categories: metals, jade type, wood type,
paper type and other types of clothing fabric; under the tokens of love keepsake of the
gift principal is divided into three categories: the main gift for men, women is
presented and the men and women give each subject
Chapter two, the value of the tokens of love in works. The aesthetical value of
the tokens of love is elaborated from four aspects: one is its beauty and the elaboration
of the aesthetical value in structure, which presents the linear beauty and the be