文档介绍：南京艺术学院
硕士学位论文
克孜尔大像窟中伎乐图像研究
姓名:尹星
申请学位级别:硕士
专业:美术学
指导教师:耿剑
2011-05-25
中文摘要
中文摘要
大像窟是克孜尔佛教石窟中窟型较为特殊的典型洞窟。克孜尔石窟中的大像
窟由于损毁严重,大像均已塌毁,洞窟内的壁画成为研究克孜尔大像窟的主要内
容。目前克孜尔石窟现存的大像窟分别是第 47、48、60、70、77、139、154 和
157 窟这八个洞窟,现存后室壁画相对完整的洞窟主要是 47、48 和 77 窟,而这
三个窟的后室均出现了伎乐图像,因此本文将伎乐图像研究作为一个切入点,分
析在大像窟这一特殊窟型中,伎乐图像在不同位置布局中的特殊意义,通过与同
时期其他窟型中伎乐图像的比较,找出异同并溯清其源流,进而探讨大像窟内伎
乐图像的审美特征和影响。同时对克孜尔大像窟中伎乐图像的研究,有助于深化
大像窟有别于其他洞窟的意义,进而探讨克孜尔大像窟壁画在佛教美术史中的特
殊价值。
关键词:克孜尔石窟大像窟伎乐伎乐飞天图像
I
南京艺术学院硕士学位论文
Abstract
The huge statue cave is a typical type of cavern ,which is relatively
particular among Kizil Buddhism grottoes. The huge statue is roughly gone
due to the overwhelmingly damage in huge statue cave of Kizil grottoes .The
main research targets left in the huge statue cave is fresco of the
cave .Presently ,the grottoes conserving giant statues are the caves
numbered from 47、 48、 60、 70、 77、 139、 154 to 157 ,and the grottoes
preserving relatively integral frescos are numbered from 47 、48 to 77,
pictures of figure and music all emerge respectively in the epinaos of
the three grottoes. Consequently, The study concerning the pictures of
figure and music is interpreted as the breakthrough point ,analyzing the
special meaning of pictures of Fairy dancing addressing in different
position of the overall layout in the extraordinary grotto, And carrying
out parison with that of contemporaneous phase ,locating the
heterogeneous ones and dwelling on its roots ,further probing into
aesthetic features and impact of the pictures of figure and music
excavated in the earliest time .To conduct the research of pictures of
Fairy dancing in the Kizil grotto is remarkably conductive for increasing
the meaning through distinguishing itself with that of others,further
exploring the phenomenal value of fresco in Kizil grotto in Buddhism art
history .
Key Word: Kizil cave The huge statue cave