文档介绍：南京艺术学院
硕士学位论文
平和之中求趣味论写意花鸟画创作中禽鸟造型的处理
姓名:李加涛
申请学位级别:硕士
专业:美术学
指导教师:孔六庆
2011-05-17
摘要
花鸟画创作中,将禽鸟造型的自然形态转化到艺术形态是一个重要环节。如何去处理
造型,是我们的笔尖每天都要面对的重要问题之一。禽鸟造型的成功与否,是一幅花鸟画
创作的关键,同时也必然关系到画面的整体协调与主题表达方面的问题,其笔墨的表现力,
则又能自然而然地流露出作者风格气质方面的学养内涵。本文从客观性处理和主观性处理
两个方面进行的禽鸟造型及其表现之探讨,试图从前人表现之道与自己艺术实践的内面,
剖析禽鸟造型的处理方法,认为从自然形态认识禽鸟出发而产生的造型,是在遵循自然客
观规律基础上的驾驭与创造。而其创造内在本质的主观审美,使我们进一步从视觉上的点
线面、黑白灰的要素去认识禽鸟,成为禽鸟笔墨表现的前提基础,在客观与主观之间连接
起禽鸟造型的通途。笔墨表现的趣味性特质,是作品语言表达必须要得到的东西,其所取
决于作者“发现”的灵性、“立意”的深度、材质性能把握的能力以及笔墨技巧等方面的程
度水平,所有这些都是我要不懈求索的。上述认识,一定程度地体现在了自己的毕业创作
之中。但笔墨无止境,自己要格外努力才行。

关键词:禽鸟造型、趣味、处理

I
Abstract

In the flower-and-bird painting creation, the artistic operation, which is to turn
the bird’s natural shape into the artistical form, is a very important link. One
of the important things we faced every time is how to make our modeling essful.
It’s the key to our creation, which directly relates to the integrity and the motif
of the painting. On the other hand, words of the expressive automatically show the
author’s temperament, great learning, cultural connotation, and so on. By analyzing
methods in the famous works from ancient to modern, the author believed that the
artistic operation was a kind of domination and creation by following the natural
orders. Based on this understanding, this thesis tries to explore shaping and
expressing birds’ modeling in the objective and the subjective ways which the
creation is premised on. By dealing with the relationship of the Point, Line and
Plane and the White, Gray and Black in a whole painting, the author’ aesthetic taste
will visually make us to know the birds better. The speciality of words expression
is what we need to get finally. That depends on the author’s ability, such as how
to find the original material and how to handle it, depth of the subject, pen and
ink techniques. All of these are what I’m going on