文档介绍：天津音乐学院
硕士学位论文
王中山古筝艺术创新探究
姓名:陈雯雯
申请学位级别:硕士
专业:音乐学
指导教师:宋国生
20071220
内容摘要
内容摘要
一九八六年,以全新的高难度技法演奏了《打虎上山》及《井冈山上太阳
红》等筝曲,轰动了中国第一届古筝学术交流会的当代古筝艺术家王中山先生,
成长于古筝迅猛发展的历史时期,曾得到十多位民间筝家的指导,有深厚的河
南筝曲基础。后师从古筝艺术家赵曼琴先生和中国音乐学院李婉芬教授并留校
任教。在古筝演奏技法上,他有许多新的创意并付诸实践,开拓性地运用了轮
指技法、率先使用左手内戴四个义甲的形式进行演奏,开发和发展了多指摇和
左手摇指,令古筝面貌一新。目前,有些新的演奏形式在中国的各个艺术院校
的古筝专业中已经得到了推广,显示出这些新技法的广阔前景和勃勃生机。在
作曲上,他丰富了古筝原有的音响色彩,创造性地将传统民族特色元素结合于
现代作曲技法,力求将传统的古筝特色与现代新技法和新型作曲理念组作有机
的统一。本文就将从技术、作曲、教学等方面对王中山先生的创新精神作较为
具体的阐述,并将王中山先生的创新思维加以归纳提炼,解析王中山先生创新
精神的思维内涵和积极意义。

关键词: “新指序技法”、“弹轮”、“弹摇”、“走位三指摇”

I
Abstract
Abstract
Wang Zhongshan, who created a sensation in 1st Academic Exchange
Conference on Guzheng by playing “Hunting the Tiger” and “The Red Sun on the
Jinggang Mountain” with high level skills in 1986, was grown up during the period
when Guzheng art was developing quickly. Under some folk musicians’ guidance,
he’d laid a strong foundation of this art. After that Wang was taught by Mr. Zhao
Manqin and Professor Li Wanfen from China College of Music. To the playing skills,
Mr. Wang had some new creations and carried them out. He creatively used “crossing
fingers” skills and took the lead wearing picks on the fingers of left hand in the
opposite position. His efforts freshened up Guzheng art.
At the present time some new forms of Guzheng performing had been
popularized in various art academies in China, showing these new skills’ extensive
perspective and full of vigor. Besides melodizing, Wang Zhongshan also enriched the
acoustics of Guzheng and bined traditional Chinese features with
modern posing skills. He had been pursuing the coalescence of the
traditional features of Guzheng, new performing skills and modern concepts of
melodising. This paper focuses on the aspects of skills, creation, and teaching,
expounding Mr. Wang Zhongshan’s creative spirit and its profound connotation.

Ked words: “New fingers’sequen