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皖西地区庐剧音乐的唱腔分析.pdf

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皖西地区庐剧音乐的唱腔分析.pdf

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文档介绍

文档介绍:南京艺术学院
硕士学位论文
皖西地区庐剧音乐的唱腔分析
姓名:李明轩
申请学位级别:硕士
专业:音乐学
指导教师:杨曦帆
2011-05
中文摘要
地处安徽的西部地区,由于自然、历史、社会等方面的原因。而产生了家谕
户晓的地方名戏庐剧的重要支流——西路庐剧(又称上路庐剧)。也可以说她就是
庐剧源头主流,在它的流传发展中,和地方民歌、语言唱腔、风俗习尚等结合,
又派生出中路庐剧(以合肥为代表的皖中地区),东路庐剧(以芜湖为代表的皖东
地区)。皖西庐剧音乐的唱腔包括主调和花腔两大类,这些唱腔来源于皖西乡土的
锣鼓书、民歌及湖北的花鼓戏等,呈现出独特的调式调性色彩。即羽、徵交融现
象,尽管下句及大小过台终止式落在徵音上,但在行腔中仍是呈现下行羽调式框
架。通过分析研究,不难看出羽调式是主导调式,是总体色彩,庐剧是羽调式色
彩的剧种。在这个基础上,稍加装饰,即构成庐剧唱腔。要想把庐剧唱得有滋有
味,就必须重视唱腔中的“小嗓子”、“方言”、“润腔”等。即语言产生唱腔。唱
腔又分为主调和花腔两大类。主调类唱腔有【二凉】、【三七】、【寒腔】及行当专
用腔【老生调】、【老旦调】、【小生调】、【小丑调】等,花腔类有各种花腔小调近
百首,如讨学钱调、二采调、拦马调等。主调类是庐剧主要声腔,最能体现庐剧
的风味,常用于正本大戏。花腔类是辅助声腔,常用于花腔小戏,但有浓郁的泥
土芳香,是庐剧不可缺少的宝贵音乐财富。为皖西庐剧的戏曲表演服务,为皖西
及安徽乃至全国的人民群众所喜闻乐见。皖西庐剧音乐与皖西民间习俗尚互相渗
透,影响深远。


关键词:皖西庐剧音乐主调花腔唱腔韵味
I
Abstract
Anhui province is located in the western region, due to natural, historical,
social and other reasons. Which produced home so famous place oracle MingXi
tributary road LuJu important LuJu. Also say, she is LuJu source in its spread
mainstream, development, and local folk song, language singing, customs, and such
other derived with LuJu (middle represented in hefei, anhui province) LuJu (in wuhu
rd this region) represented. WanXi LuJu music's singing tone and HuaQiang including
two categories, the WanXi native from these singing folk songs and drum books, such
as hu in hubei, present a unique adjusted tonal color. Namely, feather, phenomena, and
although characteristics blending under sentences and size over Taiwan cadence of
sound in the fall, but are still present in melody downward plume adjusted framework.
Through analysis, it is easy to see modal is to dominate primaries modal, is LuJu
overall color, the color is plume opera seven-tone scales. On this basis, slightly more
adornment, namely constitution LuJu singing. If you want to put LuJu sings flavorful,
we should attach importance to the singing voice ", "small" dialect ", "embellish
cavity" etc. Namely the language have singing. Singing and divided into