1 / 43
文档名称:

江华瑶族《盘王大歌》的艺术特征研究.pdf

格式:pdf   页数:43
下载后只包含 1 个 PDF 格式的文档,没有任何的图纸或源代码,查看文件列表

如果您已付费下载过本站文档,您可以点这里二次下载

分享

预览

江华瑶族《盘王大歌》的艺术特征研究.pdf

上传人:quality 2014/2/25 文件大小:0 KB

下载得到文件列表

江华瑶族《盘王大歌》的艺术特征研究.pdf

文档介绍

文档介绍:河南大学
硕士学位论文
江华瑶族《盘王大歌》的艺术特征研究
姓名:周红
申请学位级别:硕士
专业:音乐学
指导教师:张永杰
2011-05
摘要
瑶族是一个具有优秀文化传统的民族。江华是全国最大的瑶族自治县,民间歌谣很
多,内容十分丰富,历来有“瑶歌之乡”的美称。瑶族称盘王为其始祖,从古至今都定
期或不定期地举行祭祀活动。《盘王大歌》是在祭祀始祖盘王的活动中演唱的歌曲。《盘
王大歌》流传甚广,影响深远,深受瑶族人民的喜爱。本论文从众多的瑶歌中选取与“还
盘王愿”仪式有着密切关系的《盘王大歌》进行了个案分析,旨在探讨《盘王大歌》的
艺术特征;力图将瑶族这一文化瑰宝呈现在世人的面前,以唤起人们对瑶歌的关注,使
其在新时代下得以继承和发展。
本论文主要由三部分组成。第一章主要介绍了《盘王大歌》的历史起源、演变过程
以及对它的内容进行了分类。《盘王大歌》的形成经历了一个漫长的历史发展过程。它
始作于古代,形成于晋代,完善于唐宋,成熟于明末清初。第二章分别从歌谣艺术、曲
牌特征、衬词特色以及演唱风格对江华瑶族《盘王大歌》的艺术特征进行了分析。第三
章主要对江华瑶族《盘王大歌》的生存状况进行了原因的探讨,并结合当地对《盘王大
歌》的保护措施,对其今后的发展前景进行了展望。

关键词:江华瑶族,盘王大歌,起源与流变,艺术特征,传承与发展
I
ABSTRACT
On the Song of King Pan of Jianghua Yao Ethnic Group in HunanYao Ethnic Group is a minority
nationality with a long excellent cultural heritage. Jianghua, known as “the hometown of Yao Ethnic Group
song”which is the biggest Yao Ethnic Group automatic county in China, has many folk songs with colorful
contents. Yao Ethnic Group regard the Pan King as their ancestor, and hold celebrating activities from
ancient time to present, the song of King Pan, the song which is sung during the celebrating etiquette, is
widely spread in Yao Ethnic Group and has great impact on the people’s lives. This thesis selects the song
of King Pan as a case, which has close relationship with the celebrating etiquette, trying to explore its
historic and cultural value, representing the treasure of Yao Ethnic Group to the world, arousing the care of
people for it and making it inherit and develop in the new times.
The paper posed of three parts. The first chapter mainly introduces the origin and development
of the song of King Pan, the song of King Pan has a long developing history, it was firstly written in ancient
time, forming in Jin Dynasty, perfecting in Tang and Song Dynasty, ing mature during the period of
the end of Ming Dynasty and the beginning of Qing Dynasty. The second chapter analyzes the song of King
Pan from the perspective of the art of the