文档介绍：河北师范大学
硕士学位论文
中国油画中的农民题材表现
姓名:张洁琼
申请学位级别:硕士
专业:美术学
指导教师:侯志江
20100406
摘要
油画创自西欧,历史悠久。中国油画是舶来品,是中国传统艺术文化和西方艺术的
相结合。油画艺术的正式进入,不过是百余年的历史,自油画传入中土,就悄然地进行
着本土化、民族化的演变,历经几代中国油画家,探索研究并实践了几乎西方美术史上
的各种风格,从“异域画种”到“融为血液”,至今已经发展成一个比较完善的“百家
争鸣、百花齐放”的油画艺术体系。
本文论述在继承传统艺术文化的基础上,与时代和社会现实相结合的情况下涌现在
中国画坛的一批批表现农民题材的油画家。根据中国是“农业大国”农民占主体地位的
现实情况,简要回顾了欧洲油画中以农民形象为创作题材的发展历程,通过国内外农民
题材的比较、对照,以时间为轴,论述了中国油画中农民题材的表现。考察了在各个时
期(五四新文化运动、抗日战争和内战时期、新中国建设时期、改革开放后、当代多元
化时期),中国油画中农民形象题材创作的历史背景及其发展的各个阶段,农民形象创
作题材的整体特征及中国油画家多样的艺术创作风格。通过对时代赋予中国农民形象的
面貌、特点和变化的梳理,思考农民创作题材的意义。

关键词:中国油画、农民题材、多样风格

I
Abstract
An oil painting stems from Western Europe and has a long history. Chinese oil painting
is an foreign goods, which bined Chinese traditional culture arts and western Europe’s.
Although the arts of oil painting were formally transmitted into china only for some hundreds,
it developed in the direction for localization and nationalization. Generations of oil painters
had been exploring all kinds of western painting styles, which had grown from foreign
painting to integrating into blood. Up to now, it has ing into the oil painting system
of “ let a hundred flowers bloom, a hundred schools contend”.
The paper focuses on Chinese oil painters, who are good at farmer’s theme painting and
merging Chinese traditional culture with social reality. The paper recalls briefly European oil
painting works of farmers’ theme on the ground of china is an agricultural country and most
of Chinese are farmers, it discusses Chinese oil painting of farmers’ theme parison with
the same theme of Europe. It discovers the historic backgrounds, whole features of farmer’s
theme works and Chinese painters many creating styles in each period (May 4th New Culture
Movement, War of Resistance against Japan, building new china, open up and reform and
contemporary diversification period). At last, it shows that great significance of creating
farmers’ theme