文档介绍：南京艺术学院
硕士学位论文
理查·施特劳斯《降E大调第二圆号协奏曲第Ⅰ乐章》的演绎分
析
姓名:毛晓静
申请学位级别:硕士
专业:音乐学
指导教师:周建明;冯效刚
20090415
目录
《降 E 大调第二圆号协奏曲第Ⅰ乐章》的演绎分析
摘要
理查·施特劳斯晚年创作的《降 E 大调第二圆号协奏曲》是其将圆号技巧和表现力发
挥到巅峰的代表作品。这部作品也是圆号音乐宝库里的珍品,具有重要的研究价值。本文
从作曲家所处的社会背景、思想状况和音乐创作特征入手,针对这部作品的第一乐章进行
演绎分析。首先对音乐本体作分析研究,主要是针对几个主题动机进行深入剖析,明确各
自的性格特征及其在整体音乐构成中的地位。然后通过对乐谱上表情术语的分析理解和对
几位当代圆号演奏家的演奏录音的分析研究,就这一乐章的音乐表现及音乐处理等方面的
问题阐述了笔者的理解,力求忠实于作曲家本身的意图。最后对演奏技术上的难点重点,
进行了梳理,并提出解决方法。
关键词:
理查·施特劳斯, 《降 E 大调第二圆号协奏曲》, 主题动机, 演奏处理, 技术难点
目录
Abstract
The incredible concerto , "The horn Concerto no .2 in E flat Major ",composed by Richard
Strauss in his late-years, is a representative work and the summit of the horn literature. It is
also the curiosity in music thesauruses of French Horn, which has the importance for
researching. This paper, which starts with the social background, condition of the thought,
and the characteristic of music creation, which poser lives in, deducts and analyses
the first movement of the work. At first, the paper makes research on the language of music
in the work, principally, analyses several motifs, and definitive’s each one’s Character traits
and status in posing of the whole music. Then elaborate author’prehension on
the first movement’s performance and management of the music by the analytical
understanding of the expression terms in music and the analysis of some sound recordings
made by several French horn players of latter-day, which try to do the best to accord with the
players. Finally, organize the key and nodus of play skill, and propose the solution.
Key words:
Richard Strauss, The horn Concerto no .2 in E flat Major, motif, playing management, skill nodus
目录
引言
古典主义时期,以莫扎特为代表的作曲家们喜爱用圆号表现优美欢快,松弛典雅的风格;
早期浪漫主义时期,圆号柔美浪漫、神秘迷离的音色逐渐被发挥了出来;浪漫主义进入到后
期,在瓦格纳、马勒的手中,圆号刚劲光辉的英雄形象被完全的树立起来。然而,在众多伟
大的作曲家中,论到对圆号音乐文献贡