文档介绍：南京师范大学
硕士学位论文
维尼亚夫斯基《d 小调小提琴协奏曲》的音乐及演奏特征
姓名:赵晓欢
申请学位级别:硕士
专业:音乐学
指导教师:田康
2009
摘要
摘要
维尼亚夫斯基是浪漫主义时期波兰著名的小提琴演奏家和作曲家。作为巴黎
音乐学院的嫡传,他的演奏和创作风格一方面保持了高贵、优雅的传统;另一方
面又深受意大利小提琴炫技大师帕格尼尼的启发,他的作品中不但融入了大量的
技巧片段,而且生动的刻画了一个个鲜活的音乐形象,形成了自己的创作风格。
《d 小调小提琴协奏曲》是他一生 22 部作品中的精华之作,所表现出的高贵气
度和抒情性在众多小提琴作品中也是独树一帜的。
在曲式结构上,《d 小调小提琴协奏曲》仍然坚持古典协奏曲三个乐章的特
点,速度和调性的同步发展也颇具古典风格。但该作品向听众传达更多的是浓郁
的浪漫风:和声的色彩性处理、华彩乐段的位置和功能、主题贯穿的手法都是典
型的浪漫主义音乐风格,这些特点使该作品从浪漫乐派众多小提琴协奏曲中脱颖
而出,成为当今音乐会和国内外各大小提琴比赛中的经典曲目。 19 世纪波兰国
家的特殊命运、浪漫主义的文艺思潮、安定的俄国旅居生活、频繁的音乐会演出
经历都是《d 小调小提琴协奏曲》音乐风格形成的原因。
在演奏技巧方面,乐曲展现的也是具有维尼亚夫斯基个人风格的特色。音乐
是目的,技巧为音乐表现而服务的创作手段,充分体现了该作品的艺术品味。《d
小调小提琴协奏曲》在技巧程度上具备我考级的十级标准,也是
通往高级演奏水平的敲门砖。
关键词:协奏曲,浪漫主义,曲式结构,演奏技法。
I
Abstract

Abstract
Wieniavski is a famous polish violinist poser during the romantic period.
The performance positions of Wieniavski is innovative posite of
the novelty and elegance he learnt as the graduate of Paris Conservatoire, and a lot of
technique requirements which was inspired by the virtuoso soloist Paganini. Concerto
in D minor, Op. 22 is the quintessence of position. The novelty and
lyricism in the work is representative in the violin works.
In the structure, Concerto in D minor posited by three chapters as a
typical classical concerto. The simultaneous progress of speed and tonality is also the
characteristics of classical music. However, typical romantic music style was also
used widely in position . the treatment of the color harmony, the location
and function of nightlife music section cross-subject approach. The music style in
Concerto in D minor might because of the special life experience of Wieniavski
including the history of Poland in 19th century, the Remontatic music movement, the
stable living in Russia and frequent concerts.
The typical style of musical skills of Wieniavski was also showed in the
Concerto in D minor. The excellent artistic value of this concerto was presente