文档介绍：音乐论文西贝柳斯师范学院韩山学生毕业论文(2012届)题目(中文)西贝柳斯《第五交响曲》的结构特征(英文)Sibelius"theFifthSymphony"structuralfeatures系别:音乐系专业:音乐学班级:20081811姓名:邱雪婉学号:2008181133指导教师:李诚助教韩山师范学院教务处制诚信声明我声明~所呈交的毕业论文是本人在老师指导下进行的研究工作及取得的研究成果。据我查证~除了文中特别加以标注和致谢的地方外~论文中不包含其他人已经发表或撰写过的研究成果~我承诺~论文中的所有内容均真实、可信。毕业论文作者签名:签名日期:年月日摘要:西贝柳斯在曲式结构方面的处理,体现了他对自然的崇尚,他的音乐严谨、富有逻辑却不乏创新,但他并不刻意追求曲式结构的创新,而更注重乐思本身的发展。《降E大调第五交响曲》作于西贝柳斯创作的成熟时期,是受到充分重视并且经过精雕细琢的作品,通过对其结构、调性、和声、旋律、织体等方面的分析,以期能够探知作曲家在交响曲方面所做的曲式结构创新。关键词:西贝柳斯;交响曲;曲式结构;乐思;创新Abstract:Sibeliusintermsofmusicalstructureprocessing,reflectedonhisadvocatingnaturally,hismusicisrigorous,logicalbutthereisnolackofinnovation,buthedidnotdeliberatelypursueworkstructureinnovation,andpaymoreattentiontothemusicitselfdevelopment."FifthSymphony"inEflatmajorbySibeliuscreationofmatureperiod,istakenseriouslyadequatelyandfinelycraftedworks,throughthestructure,tonality,harmony,melody,textureandotheraspectsoftheanalysis,:Sibelius;Symphony;Formstructure;Musicthought;Innovation目录一、西贝柳斯定的简介以及创作特征„„„„„„„„„„„„„(1)二、《第五交响曲》的结构分析„„„„„„„„„„„„„„„(2)(一)第一乐章的结构分析„„„„„„„„„„„„„„„„„(2)(二)第二乐章的结构分析„„„„„„„„„„„„„„„„„(5)(三)第三乐章的结构分析„„„„„„„„„„„„„„„„„(6))三、曲式结构的特征和小结„„„„„„„„„„„„„„„„„(8(一)严谨却也不乏创新„„„„„„„„„„„„„„„„„„(8)(二)与变奏原则的结合„„„„„„„„„„„„„„„„„„(8)(三)各部分的渗透结合„„„„„„„„„„„„„„„„„„(8))(四)小结„„„„„„„„„„„„„„„„„„„„„„„„(8参考文献„„„„„„„„„„„„„„„„„„„„„„„„„(10)致谢„„„„„„„„„„„„„„„„„„„„„„„„„„„(11)西贝柳斯《第五交响曲》的结构特征作者:邱雪婉指导老师:李诚(韩山师范学院音乐系,广东,潮州,521041)一、西贝柳斯的生平以及创作特征耶安?西贝柳斯(JeanSibelius),1865年12月8日出生于芬兰南部的小镇海门林纳。作为芬兰音乐的代表人物,他创作了大量以民族文学为题材的作品,在世界乐坛上为自己的民族和祖国争得了不容忽视的一席之地。在他所创作的一百多部作品中,涉猎了众多的音乐体裁和形式,主要包括7部交响曲、多部交响诗、2部歌剧,以及小提琴曲,钢琴曲、管风琴曲、铜管乐曲、室内乐、独唱曲和合唱曲等。西贝柳斯一生所取得的辉煌成就使其成为芬兰音乐史上最著名的作曲家,享有“芬兰音乐之父”的盛誉。西贝柳斯和他的不朽作品将永远是芬兰的骄傲和象征。如下表,西贝柳斯的创作大致经历了三个阶段:阶段题材特征代表作第一阶段(1890—民间史诗和传说交响诗《库勒沃》(1892),由四首传奇曲构1899)《卡勒瓦拉》成的《库敏凯能组曲》(1893—1899)第二阶段(1899—关注社会生活,《雅典人之歌》(1899),管弦乐组曲《历史1915)突出地反映了芬场景?》(1899),音诗《芬兰颂》(1899),兰人民的爱国主小提琴协奏曲(1903),第一至第四交响曲义精神(1899,1902,1907,1911)第三阶段(1915—综合了前两个阶第五至第七交响曲(1915,1923,1924),交响1926)段的倾向,既