文档介绍：上海大学硕士学位论文摘要玉文化和风文化是我国传统文化中的两朵并蒂花。汉代是中国传统文化的重要形成时期,玉文化和风文化在这一时期都获得了较大发展。结合“玉文化" 和“风文化’’文化特性的风纹玉器在汉代十分丰富,且材质优良,造型优美。器物造型纹饰是特定时代的产物,它反映着特定的工艺水平和创作风格,同时它也体现着时代精神,饱含着深刻的社会文化内涵。本文即以“风格研究”和“文化研究’’作为研究汉代玉风纹的两个角度。通过实物资料结合文献材料, 应用器物学和文献学的理论和方法,从艺术风格和文化内涵两方面对汉代玉风纹进行研究。从风格特征上看,汉代玉凤纹既稳定了战国时期玉风纹的典型特征,又在造型、纹饰上打破陈规,巧妙地将汉代的艺术风格渗透其中。具象凤纹稳中有变,多元并存;抽象凤纹大胆创新,更加写意。二者之间虚实相应、相辅相成。汉代玉凤纹的三期发展,反映了典型汉代风格的玉风纹是形成于西汉中后期的。从文化上看,独尊儒术、汉继楚绪和道家思想的弥漫,使汉代的精神文化中带有贵玉、崇凤的文化基因,这成为汉代玉风纹流行的动因。“引魂升天之使者”、“有德君子之指代"、“辟邪压胜之灵物",“权力威仪之象征"、“灵与美之化身" 这五大文化内涵反映了玉风纹的使用功能、社会意义及审美情趣,体现了现实主义与宗教主义的契合。五大内涵中既有原始文化内涵的孑遗,也有汉人独有的创新和发展,体现了汉人在“玉’’和“风’’两大传统文化的传承中,既尊重传统,又不拘泥于传统的创新精神。上述两个角度的独特阐释和综合探讨,反映了汉代玉风纹是制作与思想的统一,传承与变化兼而有之。关键词:玉风纹、风格特征、文化内涵 V 上海大学硕士学位论文 ABSTRACT Jade culture and phoenix culture are thetwin lotus intraditional culture of our Dynasty is animportant period which Chinese traditional culture was formed,when bothiade cultureand phoenix culture were carved phoenix bined jade culture and phoenix culture varied inHan Was oRen unearthed inthe graves ofsome princes,marquises ornobles, with fine materials and beautiful accouterment made into implements was theoutgrowth inparticularperiod,which reflected the standard of special technology and creative thesame time,it contained cultural thespirit ofcertain timesand on”the style”and”the culture”,this articlestudies iaxle carved phoenix of Han Dynasty. .With thehclp ofthematerialobjects and thedocuments,the articlefocus on artistic styleand cultural content ofiade carved phoenix inHan Dynasty,according tothe theoriesand themethods related tocultureand0bject science. On the haracter,iaxle carved phoenix inHan Dynasty absorbed the characteristic ofthat intheWarring alSO cleverly stylized itself、析tll typicaI style of Han iade carved phoenix Was steady with diversity:while abstractjade carved Was creative and tWO were opposite butsupplement