文档介绍：山东大学硕士学位论文传统与现代的融合——评余光中的诗歌创作姓名:高雪申请学位级别:硕士专业:中国现当代文学指导教师:耿建华 山尔人学硕十学何论文中文摘要 7余光中的诗歌作品融会了西方现代文化的灵性和中国传统文化的神韵,在传统与现代、历史与现实之间走出了一条属于自己的现代主义诗歌的创作道路,具有鲜明的特征。j本文追寻余光中诗歌创作风格变化的痕迹,结合余光中的诗歌作品和理论主张,将他三十多年来的创作生命分为四个时期来讨论。余光中早期的诗歌创作受中国传统文化的影响较深,而他本人对中国传统文化也情有独钟,自上古到五四时期形成的来自大陆的母体文化,那样直接、亲切而深沉地影响着余光中,哺育着诗人的思想和才情。这些特点在余光中诗歌的内容与艺术手法上都有所体现。二十世纪五十年代,现代主义思潮传入台湾, 台湾随之兴起了现代诗,余光中也开始了他现代诗的实验时期。余光中这一时期的诗集《钟乳石》和《万圣节》就是诗人在学习西方文化传统过程中结出的果实。{1958年和1964年,余光中两次赴美讲学,异国的遭遇、东西文化的撞击使他对西方现代文化的负面影响深有感触, 从而更深切的感受到中国传统文化的魅力,诗人将自己的诗歌创作又回归到传统,创作了《莲的联想》和《五陵少年》两部新古典主义诗集。随后,余光中的诗歌创作同趋成熟,1974年,《白玉苦瓜》诗集的出版标志着余冼中找到了自己情感和艺术的归宿,使他完成了一次艺术的飞题。y余光中的诗既具有鲜明的现代色彩,又具有浓烈的民族文化传城”可是说余光中的诗是融合中西文化传统与现代的一个成功典范。山尔入学硕十学何论文 Abstract Blending thecharm ofChinese traditional cultureand theintelligence of modern western cultureinhispoetry,Yu Guang—zhong has blazed his own trailofpoetry writing ofmodernism,which goes between thepaths of convention andmodernity as wellas between paths ofhistory ’S poetry possesses bining withhispoems and theories,thispaper tracksdown thestylechanging of Yu Guang-zhong’S poetry and divides hismorethan thirtyyears’creation career intofourperiods tostudy, The earlyperiod ofYuGuang-zhong’S poems were more influenced by Chinese traditionalculture,while he himself greatly indulged inChinese parents culturewhich hasformedbetween the ancient timesand Wu Siperiod inmainland affected Yu Guang·zhong SO directly, deeply andcordially,meanwhile feeding thethoughts and talentsofthe poet. These featuresareembodied on both the Contents and the1950s,the modernism was introduced intoTaiwan,and subsequently the modern poems boomed Yu Guang-zhong alsobegan his experiment ofmodern poetry anthology of‘Stalactite’and ‘Hailoween’were achieved during the course oflearning western cultural 1958 and 1964,Yu Guang·zhong went tO give lectures in America,The experiences inforeign country and theclash ofeastern and