文档介绍：油画色彩的重新认识中文摘要在油画艺术领域中,色彩是油画语言中的灵魂,它有着独特的魅力,是进入我们艺术视觉信息的第一个信号。色彩在油画中作为视觉交流语言,不是一般的概念性语言,其艺术性主要并不在于它对自然色彩的刻意摹拟乃至仿真般的再现,而在于它是提炼的,传神的,,油画色彩才有表现力和感染力,因而也才具有高度的审美价值。油画色彩的丰富表现力和它所产生的感情力量,它可以直接在艺术家和观众的心灵之问架起一道互相沟通的桥梁。然而在美术院校,对色彩的教学往往存在偏重实践,而轻视色彩理论的倾向,似乎觉得色彩理论解决不了绘画的实际问题,教学中系统而完整的理论讲授被直观的教学所替代,由于缺乏正确的理性指导,造成了学生在色彩基本训练中存在着盲目性,被动的描摹对象,对色彩的好与坏也缺乏应有的鉴别能力,使之走入色彩认识的误区,形成了色彩的思维定势和许多禁区,限制了他们对色彩的运用和绘画创作观念的拓展。同时,也有人认为色彩是极为玄妙的语言,是说不清楚的。我认为以虚无主义和神秘主义观点对待色彩学理论是不正确的。色彩既然有它自身的规律,只要能够认真的探索研究它, 是完全可以被掌握和运用的。本支正是基于这一点,认为消除认识上和思想上的各种偏见, 以科学的态度重新认识色彩,乃是探索色彩美感所必需的。关键词:油画,色彩,色调,笔触,认识 The Cognition ofThe OilPainting Color Color soulofoilpainting language on oilpainting has extraordinary expression power and ing into our which beconsidered asthelanguage of munion not usual concept language,it’S artistry mainly essential,lyric painting n10re thanthetracing hideboundly,Only this,theoilpainting color hasthe expressive force and affectingforce,and makes the work of artincluding expression power ofoilpainting and thepassionate power produced munication bridge between artists andspectators. However,in many artcoUege,the teaching ofoilpainting colorusuallyenjoy inpractice more thantheory,some people feelthatcolortheory can’tresolve theactualproblem ofthepainting, which make thecorrectteaching bereplaced by trainofbasic color existsblindness and passivism for thelack ofreasonableness intothe mistake area have many thougllt settles,and operate thecolor topainting. Atthesame time,somepersons thhak thecolor theextremely exquiste language and not understand consider thatthemysticism and thenihilism are can be understand andoperate for we don’tthink tostudy writethepaper based on thepoint:Dissolve allkinds of prejudice in our idea,and understand theoilpainting color withscientificattitude,itthenecessary context ofseekthecoloraesthetic feeling. Keywords:oil painting,color,hue,s