1 / 77
文档名称:

Norman Finkelstein - The Holocaust Industry (zionism jews conspiracy jewish judaism).pdf

格式:pdf   页数:77
下载后只包含 1 个 PDF 格式的文档,没有任何的图纸或源代码,查看文件列表

如果您已付费下载过本站文档,您可以点这里二次下载

Norman Finkelstein - The Holocaust Industry (zionism jews conspiracy jewish judaism).pdf

上传人:kuo08091 2014/6/5 文件大小:0 KB

下载得到文件列表

Norman Finkelstein - The Holocaust Industry (zionism jews conspiracy jewish judaism).pdf

文档介绍

文档介绍:The Holocaust Industry: Index Page
ONLINE EDITION
Table of Contents:
Acknowledgments and Introduction
Chapter 1: Capitalizing The Holocaust
Chapter 2: Hoaxers, Hucksters, and History
Chapter 3: The Double Shakedown
Conclusion
See Norman G. Finkelsteins Website at:

ocaustindustry/ [23/11/2000 15:46:48]
The Holocaust Industry: ACKNOWLEDGMENTS
ACKNOWLEDGMENTS
Colin Robinson of Verso conceived the idea of this book. Roane Carey molded
my reflections into a coherent narrative. At every stage in the book's production
Noam Chomsky and Shifra Stern provided assistance. Jennifer Loewenstein
and Eva Schweitzer criticized various drafts. Rudolph Baldeo provided
personal support and encouragement. I am indebted to all of them. In these
pages I attempt to represent my parents' legacy. Accordingly, the book is
dedicated to my two siblings, Richard and Henry, and my nephew, David.
INTRODUCTION
This book is both an anatomy and an indictment of the Holocaust industry. In
the pages that follow, I will argue that "The Holocaust" is an ideological
representation of the Nazi Like most ideologies, it bears a
connection, if tenuous, with reality. The Holocaust is not an arbitrary but rather
an internally coherent construct. Its central dogmas sustain significant political
and class interests. Indeed, The Holocaust has proven to be an indispensable
ideological weapon. Through its deployment, one of the world's most
formidable military powers, with a horrendous human rights record, has cast
itself as a "victim" state, and the most essful ethnic group in the United
States has likewise acquired victim status. Considerable dividends accrue from
this specious victimhood — in particular, immunity to criticism, however
justified. Those enjoying this immunity, I might add, have not escaped the
moral corruptions that typically attend it. From this perspective, Elie Wiesel's
performance as official interpreter of The Hol