文档介绍：论屈原《九歌》的形象塑造和抒情艺术
摘要
《九歌》作为一首祭祀抒情诗，在屈原作品中有着举足轻重的地位，不仅有着其独特的文学魅力，对后世文学发展也有着深刻的意义。
屈原《九歌》的溯源，主要可以从文献资料、考古发现、楚地风俗三个方面做一些相对具体的考证；屈原《九歌》中所祭诸神的形象，可以根据其自身性质分为天神、地神、人鬼三个类别，并结合诗人描绘的祭祀场景作简要分析；屈原《九歌》的抒情艺术则主要涉及了抒情类别与抒情手法两大类，具体体现在托物言志、借景抒情、修辞、句式等多个方面；此外，屈原《九歌》中的抒情艺术及创作手法，更是在不同方面对中国古代文学的发展产生了深远影响。
关键词：《九歌》；形象塑造；抒情艺术
Abstract
As a sacrificial lyric poetry ,Nine Odes plays an important role in Qu Yuan’s poetry not only has its unique literary charm,but also has profound significance to the development of literature of late generations.
To study Qu Yuan’s Nine Odes,researcher mainly do some relatively detailed textual research from three aspects,including document literature,archaeological discoveries,and custom of Chu to images own character,the images of gods in Qu Yuan’s Nine Odes is divided into celestial,gnome,ghost in three categories,and do some brief analysis of these images combined with the scene of sacrifice from poets lyric art of Qu Yuan’s Nine Odes are mainly related to two
categories,including the lyric categories and lyrical techniques .It is embodied in many aspects,including care of statement,lyric expression through scenery,rhetoric and syntactical structure addition,the lyric art and writing techniques of Qu Yuan’s Nine Odes bring a profound impact to development of China ancient literature in different aspects.
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