文档介绍：当代苏绣艺术研究中文摘要 I 当代苏绣艺术研究 中文摘要 苏绣有着悠久的历史,它始于人们对身体的装饰,先后历经了从画身到纹身,再到画服,直至绣服的发展过程。从汉代《说苑》中的“绣衣而豹裘者”到宋代“画绣”、明代闺阁绣的盛行,再到清代仿真绣的开创,苏绣艺术不断发生着演化。在吴文化的长期浸润之下,经过一代代兰心蕙性的苏绣艺人不断探索,以及文人墨客潜移默化的影响,苏绣最终形成了“精、细、雅、洁”的艺术风格,位居中国“四大名绣”之首。本文主要以当代苏绣艺术为研究对象,运用文献查阅、资料搜集、田野调查等方法,广泛搜集了大量有关苏绣历史、吴文化、传统工艺美术发展、当代苏绣创作、现代服饰设计、当代苏绣传承等方面的资料。通过梳理苏绣艺术发展的主要阶段、分析其艺术特色,寻求它在“市场态”中的角色定位和功能定位,揭示当代苏绣艺术在人类社会发展和文明变迁过程中的生存和应用空间。 通过研究发现,苏绣艺术既是具有商业属性的商品,又是被赋予精神属性的文化艺术产物,这种特殊身份决定它从本质上就具备了实用性与文化艺术性两大特征。文章在论述“当代性”下苏绣艺术的转型时,提出其当代定位也应兼顾上述两方面,立足于当代民众的日常生活,不断“适应”新需求。论文还对当代苏绣艺术创新的尺度、途径进行了界定,谈及创新应当坚守苏绣艺术的文化特征、“手工”属性和艺术风格的基本前提,并且从题材、技艺、材料、艺术形式方面明确了苏绣艺术在当代应用中的具体方向。此外,论文对“市场态”中苏绣的发展特征、艺术创新情况进行了整理与分析,进而对当代苏绣艺术在艺术品、日用服饰和文化创意产业等领域中的具体特征与设计方法做了详细分析和总结, 为苏绣艺术和其它优秀传统工艺美术的可持续发展提供了启示。 关键词: 苏绣,当代定位,创新,当代应用,传承 作 者: 王 欣 指导教师: 许 星 英文摘要当代苏绣艺术研究 II Studies on the Contemporary Suzhou Embroidery Art Abstract Suzhou Embroidery has a long hi story. It started with pe ople's decoration of the body. It was a process from painting to tattoo the body, and then to draw clothing, until embroidered clothing. The development of Su zhou Embroidery art has been changing constantly. That "people wore in embroidered clothing and fur" was described in "Shuoyuan" in Han dynasty, and after that Pain ted Embroidery was prevailed in the Song dynasty, then the golden age of the Boudoir Embroidery came in Ming dynasty, and then Simulation Embroidery was created in Qing dynasty. Eventually under the long-term influence of the culture of Wu , generations of Suzhou Embroidery arti sts with great talents to explore continuously and the subtle in fluence of poets and literary men, Suzhou Embroidery has formed an artistic style of "exquisite, fine, elegant and pure" and es the best of Four Major Forms of Chinese Embroidery. This paper mainly talks about the contem porary Suzhou Embroidery art using the methods of consult the relevant documents ,information collection ,field research, etc. The writer has widely collected a large amount of mate