文档介绍：摘要《林泉高致集》是中国山水画史上极为重要的一部理论著作,其成书于北宋,由郭思根据其父郭熙生前言论整理而成。书中提出了许多绘画美学范畴及命题,其中“三远”是大家耳熟能详、最为彰显中华传统文化色彩的范畴之一。本文内容共分五个部分,第一部分为引言,开篇引用“三远"的经典原文,然后介绍郭熙画作和画论的概况以及后人对郭熙画论尤其是“三远"的研究状况;第二部分为本文的第一章,着重探讨了“远" 的绘画美学渊源及发展;第三部分从审美功能、审美观照、审美创作等方面分析了郭熙的美学思想,并对“三远”进行了定位,“三远”融观察、构图、创作于一体,是山水画的艺术规则;.第四部分是本文的重点,通过考察郭熙所处时代的思想背景、他本人的经历以及山水画与人的精神品格的对应关系,详细阐述了‘二三远"中蕴含的儒、道、禅美学内涵,随后评析郭熙画论尤其是“三远"的美学意义,其中提到了郭熙“尚平远"这一审美偏好对后世山水画创作的导引;结语部分表明对郭熙画论的研究很有价值,“三远”是值得无限挖掘的一个美学范畴。为了写好此文,本人既仔细研读了文本,又借鉴了二些他人的研究成果,对郭熙的绘画美学思想有了全面的了解,能较为系统地分析“三远”的美学内涵是本人这次创作的最大收获。关键词郭熙,三远,山水画,美学,儒道禅美学内涵 ABSTRACT ’'LinQuan Gao Zhi"is averyimportant theory book inthehistory of Chinese landscape painting,It’S abook writtenby Guo-.ording to hisfather Gu o‘。xi'sremarks inthe Be1‘。 concepts and aesthetic proposition about painting were raised inthebook,and"San —yuan¨is one ofthemost familiarconcept inallofthem which could delegate Chinese traditional culture. This paper isdivided first section is the introduction,in which the n San—yuan¨iS cited,then Gu 0一xi"s paintings、his theory on paintingsand some research work on“San— yuan”were introduced;In the PartII,thepainting aesthetic roots andthe development on the’'yuan’’will be discussed firstly;The thirdpart analyses the aesthetic thought ofGu o—xi from theaesthetic function, reation, give adefinition to¨San—yuan it.¨San— yuan”syncretize the characteristic position,and creativity and it istherules forthe artoflandscape painting;Part IV is thefocus ofthispaper,the aesthetic connotation ofConfucianism,Taoism and Zen contained in”San—yuan”will be expatiated according to inspection ofGuo—xi's ideological background ofthetimes,and hisown experience,as well as corresponding relationsbetween landscapes and thecharacter ofpeople,then intheevaluation of’’San—yuan which referred tothe¨Shang—ping—yuan¨aesthetic preferences ofGuo—x/iS tobe alandscape painting guidance infuturegenerations;The part of the conclusion points thegreat value ofstudy forGu o—xi's