文档介绍：四川美术学院硕士研究生学位论文 2 夏加尔意第绪语剧院犹太艺术李西茨基论文提要 1998 年,英国夏加尔艺术研究专家帝迪尔·苏尔曼( Didier Schulmann )发表了论文《画如剧院剧院如画》,在论述夏加尔剧院绘画创作时,指出夏加尔的艺术是一个特例,具有强烈的意第绪特征。该论文认为“夏加尔的艺术语言对西方艺术界是全新的,对俄国艺术界也是一种新的启示。”这是对夏加尔的准确定位和评价。在前人启发下,本文拟研究夏加尔 1914-1922 年在俄国期间所从事的艺术创作。一方面,通过其艺术创作的阐释和梳理,揭示出他的剧院创作的两个时期中的不同特征;理清他与早期圣像画传统的联系;与李西茨基创作的意第绪语童话书籍插图的联系;与犹太神秘主义与俄国当地民间传说的联系。把握其艺术的一些基本特征,管窥他这时期的艺术创作所反映的一些核心问题。另一方面,研究夏加尔 1914 — 1922 年艺术创作对中国当代艺术发展的意义在于,他在俄国十月革命后返回俄国,经历了艺术上的深刻变化,他回归到犹太人传统中,把早期在巴黎受到的立体派和野兽派影响升华成自己独特绘画语言,开辟了一条新路,这条新路既不同于理性主义所影响的现代西方艺术,也不完全等同于神秘主义和象征主义的犹太艺术,而是成功地结合西方现代艺术新形式和犹太的传统内容的新艺术。无疑,这样一种艺术对于中国现代艺术乃至世界艺术的发展都应该有积极的意义。新中国成立后,中国艺坛曾经一度追随苏联美术模式,但苏联当时的无产阶级艺术是在极其复杂的历史环境中出现的,因此具有其复杂性。而夏加尔能在多种多样风格流派并存的苏联艺坛异军突起,成为具有代表性的大师,这为中国现代艺术发展提供了一个范例,表明中国现代艺术可以做到形式和内容两方面与西方现代艺术融合。迄今,犹太哲学影响的犹太艺术在中国尚未得到广泛的了解和认同,夏加尔的价值和意义还没有显示出来。所以,本文拟阐述夏加尔的艺术如何形成,其形象来源,其基本艺术特征,并在与现代中国艺术的比较中,探讨它对于当代中国艺术的发展有何借鉴意义。论文关键词夏加尔艺术意第绪歌剧院四川美术学院硕士研究生学位论文 3 俄国圣像画李西茨基的意第绪童话插图 KEYWORDS Marc Chagall Yiddish State Theatre Jewish art Lissitzky Abstract During the years(1914-22)that Marc Chagall(1887-1985) spent in Russia he developed his distinct blend of Cubuism and his early formation and contact with the avantgarde in Paris from 1910,thiese were his most important and creative years. He would rework and revisit the themes that were established then for the rest of his life. Basis on the research of many scholars, this thesis would quest the art world of Marc Chagall. Firstly, give the brief introduce of his works and life, grasp his main characters of theatre set design. It was followed in Russia in 1917 by the Bolshevik Revolution Stimulated and liberated the arts, in particular the theatre, for which Chagall eagerly designed sets and costumes and painted murals. Meanwhile he married Bella, and threw himself into a Jewish, or specifically Yiddish, cultural renaissance from which some of his greatest and most characteristic work emerged. Secondly, it would focus on relationsh