文档介绍：I:海人学硕I:学位论义摘要李流芳(1575—1629),字茂宰,又字长蘅,嘉定(今属上海市)人,明万历举人。后绝意仕进,于家乡筑檀园,读书其中。工诗文书画,亦精镌印,与唐时升、娄坚、程嘉燧并称“嘉定四先生"。与归昌世、王志坚并称为“昆山三才子",又被誉为“画中九友"之一。有《檀园集》和部分书画作品传世。李流芳继承了归有光在嘉定倡导并发扬的传统:宗法唐宋。具体落实到文学和艺术上,即推崇摹古。和归有光一样,李流芳以摹古作为学习手段而非最终目的,善于汲取古人精华为己所用,拟古之中又推陈出新。李流芳于诗力主性情,认为诗歌应当抒发内心感触。其诗作风格介乎公安派和竟陵派之间,别具特色,有着浓厚的个人色彩。李流芳的小品文笔隽永,自成一格,在晚明小品中也算得上别具特色的一家。李流芳在当时当地曾经产生了一定的影响,在他的教导和影响下,李氏子孙和弟子后学大都是有才德的文士,有些甚至成为了清初嘉定学人的领军人物。然而由于李流芳偏居嘉定一隅,当时的影响只及吴中地区。他之所以被纳入当今学人的研究视野,乃因施蜇存标举“嘉定派”为明末最后一个诗派,以及上世纪二十年代末有关钱谦益的研究兴起之故。目前学界普遍认为李流芳在引领钱氏接触归氏余韵和弘扬嘉定古学方面功不可没,然而因为各种各样的原因, 对于李流芳的研究并不深入和细致。本文钩稽了李流芳的家世、生平与交游,评述了他的文学创作风貌与文学思想,梳理了其作品的流传经过,分析了有关后世的影响等等。其中李流芳文学创作和思想主张的讨论,李氏文学创作面貌的客观呈现,分散于零散材料中的李氏文学观的归纳整理,李氏作品的版本和流传情况的细致考察,李流芳及其友人的文学活动的系年,相对比较突出。关键词:李流芳交友诗歌散文版本年表 I:海人学硕I:学位论义 ABSTRACT LiLiufang(1 575-1629),whose ziwas Maozai orChangheng,Was bom in Jiading,won First—Degree Scholars inMing that,hegave uppursuing higher hebuiltup a tanpark inhishometown,and buried himself reading excelled towrite hisdrawing and thecalligraphy were ,he Was one ofthe“fourJiading Mr.’’amongTang Shisheng,Lou jian,Cheng Jiasui;one ofthe‘'threeexcellentpersons inKunshan'’, and also one ofthe“nine friends atdrawing'’.He had written one booknamed’.1h Yuan Ji”,inside which Was collecting hispoems some ofhis calligraphy andpainting works hadspread SOfar. LiLiufang handed down the traditionof Gui Youguang,who Was therenowned one hand,heagreed tosimulate theancient,on theotherhand, hefirmly believed thatitcould not equate simulating himself was good atsimulating theancient,and surmounted theancient werefeatured instrong personal characteristics;for hethought thatthepoetry must bewritten ,His essays were alsoveryexcellent,slightly hasthe fame in thelatterMingdynasty. InthelatterMingdynasty,Li Liufang hadhad certainimpact inthe teaching andinfluence,most ofhis latergenerations