文档介绍：重庆大学本科学生毕业设计(论文)
农村题材电视剧的发展现状与艺术特征研究
学生:肖国安
学号:20101711
指导教师:彭辉
专业:新闻学
重庆大学新闻学院
二O一四年六月
Graduation Design(Thesis) of Chongqing University
the Development Status and Research Artistic Features of the Rural Teleplays
Undergraduate: Xiao Guoan
Student ID: 20101711
Supervisor: Prof. PengHui
Major: Journalism
School of Journalism munication
Chongqing University
June 2014
摘要
中国农村题材电视剧基于以农为本的基本国情,文化艺术作品中自带了中国的乡土味道。伴随着工业和科技的不断发展,面对大众对现代文化消费要求的不断提高,农村题材电视剧作为一种大众媒介,更好的在社会中演绎引导社会主义核心价值体系的角色尤为重要。新世纪环境下,随着政策、市场等条件的不断完善,农村题材电视剧摆脱类型化的叙事方式,在创作思维上进行创新突破,为自身发展开辟新的出路,已经成为时代的要求。
在市场经济利益竞争的充斥下,农村题材电视剧如何突破类型化的批量化生产,需要在市场需求和文化艺术追求的纯粹性上找到自己的平衡点。在文化消费的过程中,面对中国的乡土性国情,从业者和传播者理应去开辟新的受众群体,一味固守成规,不能与时代接轨,对行业而言就是对自己的一种禁足。如何更好的吸取学院派等其他派别的批评和自我批评进行自身内涵建设更为突出。
关键词:农村题材电视剧, 媒介, 文化消费, 艺术特征
ABSTRACT
Rural Chinese drama is an unique type of TV drama in China, which is based on the basic national condition of agriculture-oriented policy and brings about strong local atmosphere in relating art work. With the rapid development of industry and technology, as well as the increasing pursuit of modern consumerism, Rural Chinese drama, as powerful mass media, plays the important role of conducting traditional virtues and socialist core values. Under the new era, within the improvement of legislation and marketing economy, the narrative pattern of this sort of drama transfers from static type into new format with varying innovations and creations, which coincides with the inevitable demand of the times.
Living under the peting environment of market-oriented economy,Rural Chinese drama ,which faces the reality of breaking through mass production, needs to balance between the marketing request and artistic purity. In the process of cultural consumption and the reality of national agriculture-oriented situation, producers and transmitters, as pioneers to get in touch with new times and catch up with it step, whether in the goal, the content and the way of absorbing new ideas from different ac