文档介绍：摘要摘要内蒙古地区自古以来便是北方游牧民族进行生产和生活的重要活动区域,众多的北方民族在这里创造了光辉灿烂的文化。除了拥有大量的居址、墓葬以及手工业遗迹外,这里也是我国岩画资源最为密集的地区之一。岩画作为人类艺术史上的最早创造,其发生和发展对于人类历史具有非常重要的意义。内蒙古地区数量众多的岩画具有重要的研究价值,而其中的骑者岩画是内蒙古地区岩画的重要组成部分,而且以骑马人这种题材的岩画为最多。本文对内蒙古地区岩画中的骑马人形象进行研究,并在此基础上结合内蒙古的自然地理状况和民族分布情况对这一题材的岩画进行分区,大致分为东部、中部和西部岩画区;然后进行了分期,分为商周至秦汉时期、北朝至隋唐时期、辽宋时期、元代及以后历史时期共四个时期。综合运用考古学、历史学、民族学、美术学等学科的理论和方法,对其表现手法、社会功能以及艺术风格等三个方面进行研究,揭示其历史发展演变规律,从最初的写实,经历了图案化至最后衰落, 达到了对于骑马人这种题材岩画的深刻理解。关键词:内蒙古岩画骑马人形象岩画艺术风格 Abstract InnerMongolia region is averyimportant activity area ofproduction andlife of northern ethnicminoritiessince ancient northern ethnicminorities created theirsplendid part from a lotofranking sites,gravesand handicraR heritage,rock art resources arethe most rock paintings were created as thefirsthuman artin arthistory,and its occurrence and development arevery important significance forthehistory Mongolia region rock arthasimportant researchvalue,and the rock artofrideris all important part of therockpaintings ofthe InnerMongolia region,and thehorse rider rockpaintings arethe most in thistheme. Inthispaper,the image ofhorse riderinthe InnerMongolia region rock art research,and on bined埘th naturalandgeographical conditions in InnerMongolia and ethnicdistribution of theapproximate partition andstaging rock paintings on use ofarcheology,history,ethnology,art andother disciplines ofthetheoriesand methods tostudy throe aspects oftheirform of expression,socialfunction,as wellasartisticstyle,to revealitshistoricalevolution of thelaw,in orderto reach adeepunderstanding ofthetheme ofrock Key words:rock paintings ofInnerMongolia;horse riderimage;artistic style ofrock paintings; ???????????.1 “骑马猎兔”铜造像???????.6 ??????????9 ??????????.14 ?????????????????..14 ????????????????.14 ?????????????????15 ??????????????????.15 ?????????????????..15 图