文档介绍：摘要(一)中国画人物画创作应强调时代性特点。艺术作为意识形态是上层建筑的组成部分,是为经济基础服务的,而艺术内容则是现实的一种反映,更是画家时代意识的表现。(二)中国画人物画创作应加强民族性特点。民族性是中国画人物画之所以成为中国画人物画的本质核心,没有了民族性,也就没有了中国画人物画自身的生存。这种民族精神寓于其形式中又可内在地推动形式不断向前发展。因此中国画人物画的现代性与民族性并不冲突。在坚持中国画人物画民族性特点这一底线的前提下,不断推进其现代转化,符合时代要求和自身要求,也是中国画人物画立于世界艺术之林的保证。(--)中国画人物画创作应强调深入生活的重要性。深入生活分为两个方面,一是走向大自然,以大自然为师;二是走向社会,了解、把握时代脉搏,以社会生活为师。新中国成立后,根据新中国的文艺政策,人物画家们拿起画笔,走向室外,满腔热情地描绘现实生活和劳动人民的崭新面貌,这是人物画在短时间内能够走向繁荣局面的重要因素。关键词:新中国;中国画人物画;崛起;成因 I ABSTRACT the 20th century,the Chinese feudalsocietygraduallyimpasse,the elements topromote thebusinessboom and thepopular literature and artdeveloped,directly orindirectly totheChinese paintingportraits hasnow entered anewandreplacement full ofexploration and hardtimes,inonly hasexperienced unprecedented figurethorough reform,from the creators oftheinput size, quantity andquality ofthe work . After thefounding of new China inparticular,China inpolitical,economic, ideological,culturaland artisticaspects have carriedLiaogreatDebian Ge,China Hua Wh Lun is ameticulOUS portraitportraits Haishifreehandportraits are ever Deunprecedented display change SO thatthespirit oftheartist,a new look, transforming painting movement directly contributed totheriseandprosperity of thenew Chinesefigurepainting;model—based artin theSoViet Union under theinfluence of artists began toexplore bination ofChinese and阮stem;different timeshasdifferent aestheticsand artist’oncepts and haracteristics ofthought andby China Wasfounded,literary artspolicy advocacy forthepublicservice,thepeople’S aesthetic sense and theaesthetichaschanged dramatically,this requires artists to create charactersreally reflect thetimes,good and beautiful . LateQing andRepublican China'shistory offigure painting specialstage,the paper hopes tofigurepainting in China during thisperiod as thereference state ofdevelopment, mainlythrough ,less