文档介绍：内容摘要本文主要从中国传统绘画理论入手,以西洋油画在中国的百年发展历史为线索,列举了油画在我国引进、发展和繁荣各个时期的代表性画家及其典型作品, 分析了中国传统绘画对各个时期油画家的不同影响。主要从中国传统绘画对第一代油画家的影响和中国写实主义绘画的影响以及对第三代及以后的油画家的影响三个方面进行了分析。本文又以近几年几次全国性重大展览为根据,分析了其中部分油画作品中所出现的明显借鉴中国传统绘画的倾向,尤其是当前中国传统绘画对中国油画所产生的与以往的不同的影响,主要表现在:新一代油画家们己不满足于对传统绘画样式及表现手法的机械移植或表面模仿,他们已开始高度关注自我内在的真实和主体的生存体验,全面开掘中国传统绘画中长期积淀下来的民族文化传统和艺术基因,尤其是中国传统绘画所独有的写意精神和内在关照方式。通过以上的归纳和分析,指出中国油画对传统绘画的吸收,不能只局限于单纯的、表面形式的模仿,而是要积极汲取数千年积累的民族文化艺术传统,在充分发挥油画语言特性和特长的条件下,开掘传统文化的精神层面,努力领悟中国传统绘画的精髓,融合本民族的审美观念和表现手法,使油画语言更加丰富,更适合中国观众的审美要求和欣赏习惯。中国油画的前途不是单纯的本士化、民族化目标的追求,而是要吸收中国传统文化的精髓,兼收并蓄、贯通中西,走多元化发展之路,使其成为全人类的精神财富。关键词:传统绘画中国油画吸收 Abstract The thesis,starting with thetheory oftraditionalpainting,makes all analysis of themajor influence oftraditional Chinese painting on the most typical Chinese oilpainting in different stages ofevolution ever since itwas introduce toChina nearly one hundred years traditionalChinese painting had three aspects ofinfluence on thefirst generation ofoilpainters and Chinese realism oilcreation aswell asthe thirdgeneration ofoilpainters. The text,also gives aglance atthe current situationofoilpainting development inChina on thebasis ofmajor national—scale exhibitions characteristic oftraditionalChinese painting intherecentyears,making an in·depthinvestigation ofhow traditional Chinese painting has been influencing on Chinese oilpainting in adifferentway form ever beforeas generations ofoilpainters,rather thanfocusing onexpanding formlanguages oftheirown creationby means ofpassively imitating and reshaping theethnic art orsimply generating some abstract ideas,have started toplace an emphasis on expressing themselves and respecting their own thehelp of thetraditionally-established spirit and aesthetic criteria,a new round ofpotential techniques are being reproduced gradually with an effortof an all-round exploration ofthe ethnicessence andtheever—lasting heritage including thespiritualquality and form techniques from a particular perspective of t